No CrossRef data available.
Published online by Cambridge University Press: 13 April 2011
1 Cooper, John Michael, ‘“… da ich dies Stück gern recht correct erscheinen sähe”: Philological and Textual Issues in Mendelssohn's Hebrides Overture, Op. 26’, Philomusica Online, 2004 (http:/ /philomusica.univpv.it/annate/2003-4/intro.html)Google Scholar .
2 Ibid., 13–15, 20–21.
3 The ‘Rome’ versions of the overture are described in Todd, R. Larry, ‘Of Sea Gulls and Counterpoint: The Early Versions of Mendelssohn's Hebrides Overture’, 19th-Century Music 2 (1979): 197–213CrossRefGoogle Scholar , and Mendelssohn: The Hebrides and Other Overtures (Cambridge: Cambridge University Press, 1993), pp. 30–34Google Scholar .