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Published online by Cambridge University Press: 03 June 2016
1 See most recently Mathew, Nicholas, Political Beethoven (Cambridge: Cambridge University Press, 2013), 97, 47Google Scholar.
2 It is nicely packaged and comes with extensive and carefully researched liner notes by Benoît Duteurtre, and the full libretto in French, with translations in English and Italian.
3 I expand on this idea in my ‘Cherubini and the Revolutionary Sublime’, Cambridge Opera Journal 24/3 (2012): 293–318 Google Scholar.