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Published online by Cambridge University Press: 27 June 2011
1 Roy Howat was a member of the editorial committee of Claude Debussy Œuvres Completes, published in Paris by Durand et fils with the support of Musica Gallica, the CNRS, and the Bibliothèque Nationale de France, and was responsible for critical editions of the composer's piano music in vols. 1, 2, 3, and 5 of that series. In addition, he has produced numerous critical editions of the piano music of Gabriel Fauré for Peters Edition London.
2 Leydon, Rebecca, ‘Debussy's Late Style and the Devices of the Early Silent Cinema’, Music Theory Spectrum 23/2 (2001): 217–241CrossRefGoogle Scholar.
3 Howat, Roy, Debussy in Proportion, (Cambridge: Cambridge University Press, 1983)Google Scholar.
4 Parks, Richard, The Music of Claude Debussy (New Haven: Yale University Press, 1989)Google Scholar.
5 Parks, Richard, ‘Review of Debussy in Proportion’ by Roy Howat, Journal of Music Theory, vol. 29/2 (1985): 323–328Google Scholar.