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Fusion and Application of Chinese Ethnic Elements in Electroacoustic Music in Mist on a Hill

Published online by Cambridge University Press:  19 December 2022

Yang Ting  and
Zhou Ran
Yang Ting*
Affiliation:
School of Music and Dance, Shenzhen University, China
Zhou Ran*
Affiliation:
School of Music and Dance, Shenzhen University, China
*
Emails: yting@szu.edu.cn; zhouran2021@email.szu.edu.cn
Emails: yting@szu.edu.cn; zhouran2021@email.szu.edu.cn
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Abstract

The development of computers and technology has made electroacoustic music an important part of modern music. In an effort to broaden the musical dimension and to offer more possibilities for timbral combinations, composers have used various techniques to combine electroacoustic music with acoustic instruments, giving traditional instrumental music a richer timbre, a wider range of pitches and greater sonic expressiveness. The pipa, a typical representative of Chinese music culture, has a long history and its unique timbre is widely loved by electroacoustic music composers. This article uses Marc Battier’s mixed music Mist on a Hill (for pipa and electroacoustic sounds) as an example to explore the integration and practical use of Chinese folk elements in electroacoustic music.

Type
Article
Information
Organised Sound , Volume 27 , Issue 3: Chinese Electroacoustic Music Today , December 2022 , pp. 325 - 337
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Copyright
© The Author(s), 2022. Published by Cambridge University Press

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References

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DISCOGRAPHY

Mist on a Hill. 2021. On Collection of Music Works at Shenzhen University School of Music and Dance, PCD-8312.Google Scholar

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