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Carlo Pallavicino

Published online by Cambridge University Press:  01 January 2020

Julian Smith
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Extract

Little enough has been written on the Venetian operas of the second half of the seventeenth century, and to all save a few, familiar perhaps with Hellmuth Christian Wolff's pioneering work on that subject, or with Simon Towneley Worsthorne's more recent study, Carlo Pallavicino can hardly be more than a name. Indeed, doubts have been raised about the name itself. The libretti to three of his operas name the composer as Pallavicini, and perhaps following these, or impressed by his prolific output, Burney and others since have also pluralised the composer. However, there is good authority for the spelling which I adopt for this paper, for two documents preserved in the Venetian archives bear the composer's signature, and without doubt he signs himself, in a neat and confident hand, Carlo Pallavicino.

Type
Research Article
Information
Proceedings of the Royal Musical Association , Volume 96 , 1969 , pp. 57 - 71
Copyright
Copyright © 1970 The Royal Musical Association and the Authors

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References

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9 Ibid., f. 63v.Google Scholar

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32 Modena, Biblioteca Estense, MS Mus. F. 896.Google Scholar

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