Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-10T09:22:52.038Z Has data issue: false hasContentIssue false

Donizetti's Serious Operas

Published online by Cambridge University Press:  01 January 1973

Get access

Extract

Until recently Donizetti was not respectable enough for musicology. He was remembered for two or three comedies; yet he and Rossini both devoted their mature years almost entirely to serious opera. Of Donizetti's 70 stage works, a few of which are lost, exactly half belong to the opera seria class (that includes two French grand operas); three are early works on Classical subjects, nine are opere semiserie, and 23 are comedies or farces. But those figures do not give a true picture. In the first place, twelve of the comic operas but only one of the serious are in a single act. Second, if we take the end of 1828 as a dividing line—which is roughly when Donizetti reached maturity—we find that before that date he composed 29 operas, of which only six are serious, whereas after it he produced eight comedies (five in one act), four semiseria (one in one act), and 29 full-length serious operas. Clearly he regarded Romantic tragedy as his main line.

Type
Research Article
Copyright
Copyright © 1975 The Royal Musical Association and the Authors

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Grove's Dictionary of Music and Musicians, 5th can., London, 1954, art. ‘Donizetti’.Google Scholar

2 Quoted by William Ashbrook, Donizetti, London, 1965, p. 42.Google Scholar

3 Donizetti: an Italian Romantic’, Fanfare for Ernest Newman, ed. Herbert Van Thal, London, 1955, p. 92. The reference is to the early operas, but the implication is extended to the later.Google Scholar

4 See Dean, Winton, ‘Donizetti and Queen Elizabeth’, Opera, iv (1953), 333–6; reprinted in The Opera Bedside Book, ed. Harold Rosenthal, London, 1965, pp. 152–7.Google Scholar

5 For a fuller account see my paper ‘Some Echoes of Donizetti in Verdi's Operas’, Atti del III'; congresso internazionale di studi verdiani, Parma, 1974, pp. 122–47Google Scholar