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John Field and the Nocturne

Published online by Cambridge University Press:  01 January 1968

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Extract

As every musician knows, John Field invented the Nocturne, and by doing so earned for himself his small but secure niche in music's Pantheon. The word Nocturne was not entirely new to music. Haydn, Mozart, and many lesser composers had used its Italian or German equivalents for vocal and instrumental works intended for performance at night. But the notturni and Nachtmusiken of the eighteenth century have little in common with the wordless love-songs which Field called Nocturnes. His invention was something more important than an evocative title; it was the crystallization of an idiom, and through this idiom a new aspect of the romantic movement could be channelled into the mainstream of music.

Type
Research Article
Copyright
Copyright © 1969 The Royal Musical Association and the Authors

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References

During the course of the lecture the works discussed were illustrated by the author at the piano: Field's Nocturnes Nos. 1 and n, the unpublished version of the Pastoral in E major, and the Andante in E flat were performed complete; excerpts were played from Nocturnes Nos. 2, 3, 5, 7, 8, 9, 14 and 15, as well as from the unpublished Serenade in B flat and the Romance in C minor. The pieces by dementi and Dussek mentioned in the text were also illustrated.Google Scholar