Published online by Cambridge University Press: 01 January 2020
A certain amount, though by no means enough, has been written on Morley the composer and teacher. The work I want to discuss to-day illustrates two other aspects of his wide genius which so far have been little studied—Morley as editor and arranger, and Morley as innovator.
1 All repeats are written out in the lute-part, and the only way to avoid incessant page-turning would be to use a larger page.Google Scholar
2 In the National Gallery, London.Google Scholar
3 From the five-part Canzoni (1572).Google Scholar
4 This Pavane has no connection with the In Nomine canto fermo.Google Scholar