Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-25T18:19:59.909Z Has data issue: false hasContentIssue false

Inigo Jones and the Architecture of Poetry*

Published online by Cambridge University Press:  20 November 2018

Extract

Architecture in England Remained a fledgling science until Inigo Jones's Italianate classicism burst forth in London in the first decades of the seventeenth century. His 1622 Banqueting House at Whitehall with its masterful double-cube interior astounded Londoners accustomed to the rabbit warren of Elizabethan apartments making up the surrounding Whitehall Palace; its rhythmic, subtly articulated marble façade clashed with the eclectic exteriors of neighboring buildings.

Type
Studies
Copyright
Copyright © Renaissance Society of America 1991

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

I am grateful for the early advice of Sir Roy Strong, John Dixon Hunt, and Ronald S. Berman, and the later assistance of T. K. Dunseath and William A. McClung.

References

Ackerman, James S. “The Tuscan /Rustic Order: Study in the Metaphorical Language of Architecture.” Journal of the Society of Architectural Historians 42 (1983): 1531.Google Scholar
Aristotle, . Nicomachean Ethics [1926]. Trans. Rackham, H.. Cambridge, MA, 1975. Google Scholar
Ascham, Roger. “Of Imitation.” In Elizabethan Critical Essays, ed. G. Gregory Smith, vol. 1, 545. London, 1959.Google Scholar
Bacon, Francis. Bacon's Essays. Ed. Montgomery, Guy. New York, 1930.Google Scholar
Blunt, Anthony. Artistic Theory in Italy 1450-1600 [1940]. Oxford, Eng., 1966.Google Scholar
Castiglione, Baldassare. The Book of the Courtier. Trans. Singleton, Charles S.. Garden City, 1959.Google Scholar
Donne, John. The Complete Poetry of John Donne. Ed. Shawcross, John T.. Garden City, 1967.Google Scholar
Freeman, James A. “The Roof was Fretted Gold.” Comparative Literature 27 (1975): 254-66. Fusco, Annarosa Cerutti. Inigo Jones, Vitruvius Britannicus: Jones e Palladio nella cultura architettonica inglese 1600-1740. Rimini, 1985.Google Scholar
Girouard, Mark. Robert Smythson and the Architecture of the Elizabethan Era. London, 1966.Google Scholar
Gordon, D. J. “Poet and Architect: The Intellectual Setting of the Quarrel between Benjonson and Inigo Jones.” Journal of the Warburg and Courtauld Institutes 12 (1949): 152-78.10.2307/750261Google Scholar
Gotch, J. Alfred. Inigo Jones [1928]. New York, 1968.Google Scholar
Harris, John. “Inigo Jones and the Courtier Style.” Architectural Review 154 (1973): 1724.Google Scholar
Harris, John. “Inigo Jones and His French Sources.” The Metropolitan Museum of Art Bulletin 19 (1961): 253-64.Google Scholar
Orgel, Stephen, and Strong, Roy. The King's Arcadia: Inigo Jones and the Stuart Court, A Quater-centenary Exhibition Held at the Banqueting House, Whitehall, from July 12th to September 2nd, 1973. London, 1973.Google Scholar
Orgel, Stephen, and Strong, Roy. “Inigo Jones and the Stuart Court.” The Times (London), 7 July 1973: 710.Google Scholar
Hart, Jeffrey. “Ben Jonson's Good Society.” Modern Age 7 (1962-63): 6168.Google Scholar
Herbert, George. The Works of George Herbert. Ed. Hutchinson, F. E.. Oxford, Eng., 1941.Google Scholar
Hibbard, George. “The Country House Poem of the Seventeenth Century.” Journal of the Warburg and Courtauld Institutes 19 (1956): 159-74.Google Scholar
Higgott, Gordon. “Inigo Jones in Provence. ” Architectural History 26 (1983): 2 4 - 34- Jenkins, Frank. Architect and Patron: A Survey of Professional Relations and Practice in England from the Sixteenth Century to the Present Day. London, 1961.Google Scholar
Jones, Inigo. Inigo Jones on Palladio, being the notes by Inigo Jones in the copy of I Quattro Libri dell Architettura di Andrea Palladio 1601. 2 vols. Intro. Bruce Allsopp. Newcastle upon Tyne, 1970.Google Scholar
Jones, Inigo. Sketchbook and Notes. N. p. , 1832.Google Scholar
Jones-Davies, Marie-Thérèse. Inigo Jones, Benjonson et le masque. Paris, 1967.Google Scholar
Jonson, Ben. Benjonson. Ed. Herford, C. H., Simpson, Percy and Simpson, Evelyn. 11 vols. Oxford, Eng., 1925-52.Google Scholar
Lees-Milne, James. The Age of Inigo Jones. London, 1953.Google Scholar
Leoni, Giacomo. See Palladio, Andrea. Lindley, David, ed. The Court Masque. Manchester, 1984.Google Scholar
Marvell, Andrew. The Poems and Letters of Andrew Marvell. Ed. Margoliouth, H. M.. Oxford, Eng., 1927.Google Scholar
McClung, William Alexander. The Architecture of Paradise, Survivals of Eden and Jerusalem. Berkeley, 1983.Google Scholar
McClung, William Alexander. The Country House in English Renaissance Poetry. Berkeley, 1977.Google Scholar
Nicoll, Allardyce M. A. Stuart Masques and the Renaissance Stage. New York, 1938.Google Scholar
McClung, William Alexander “The ‘Real’ Appleton House.” Notes and Queries 224 (1979): 433-34.Google Scholar
Orgel, Stephen. Thejonsonian Masque. Cambridge, MA, 1965.Google Scholar
Orgel, Stephen. “Shakespeare Imagines a Theater.” Poetics Today 5 (1984): 549-61.Google Scholar
Orgel, Stephen., and Roy Strong. Inigo Jones: The Theatre of the Stuart Court. 2 vols. Berkeley, 1973.Google Scholar
Palladio, Andrea. Andrea Palladio: The Four Books of Architecture. Trans. Isaac Ware. London, 1738. Facsimile rpt., New York, 1965.Google Scholar
Palladio, Andrea. The Architecture of A. Palladio in Four Books. Trans. Leoni, Giacomo. 3d ed. 2 vols. London, 1742.Google Scholar
Peacock, John. “Inigo Jones's Catafalque for James I . ” Architectural History 25 (1982): 15.Google Scholar
Peacock, John. “Jonson and Jones Collaborate on Prince Henry's Barriers.” Word & Image 3 (1987): 172-94.Google Scholar
Pevsner, Nikolaus. An Outline of European Architecture [1943]. Baltimore, 1966.Google Scholar
Pope, Alexander. Poetry and Prose of Alexander Pope. Ed. Williams, Aubrey. Boston, 1969.Google Scholar
Reyher, Paul. Les Masques Anglais, Etude sur les ballets et la vie de com en Angleterre (1512-1640). Paris, 1909.Google Scholar
Rostvig, Maren-Sofie. The Happy Man: Studies in the Metamorphoses of a Classical Ideal. 2 vols. Oslo, 1958.Google Scholar
Rowe, Colin F. The Mathematics of the Ideal Villa and Other Essays. Cambridge, MA, 1976.Google Scholar
Scott, Geoffrey. Architecture of Humanism. New York, 1914; rpt. 1974.Google Scholar
Smith, G. Gregory, ed. Elizabethan Critical Essays. 2 vols. London, 1959.Google Scholar
Spenser, Edmund. The Faerie Queene. Ed. Thomas P. Roche, Jr. Harmondsworth, 1978.Google Scholar
Summerson, John. Architecture in Britain 1530-1830 [1953]. New York, 1977.Google Scholar
Summerson, John. Inigojones. [1966]. Harmondsworth, 1983.Google Scholar
Toplis, Gordon. “The Sources of Jones's Mind and Imagination.” In The King's Arcadia, ed.J. Harris, etal., 6163. London, 1973.Google Scholar
Vitruvius, (Marcus Vitruvius Pollio). On Architecture [1931]. Trans. Granger, Frank. Cambridge, MA, 1945.Google Scholar
Wayne, Don E. Penshurst: The Semiotics of Place and the Poetics of History. Madison, 1984.Google Scholar
Weinberg, Bernard. A History of Literary Criticism in the Italian Renaissance. 2 vols. Chicago, 1961.Google Scholar
Welsford, Enid. The Court Masque: A Study in the Relationship between Poetry & the Revels [1927]. New York, 1962.Google Scholar
Whinney, Margaret. “An Unknown Design for a Villa by Inigojones.” The Country Seat: Studies in the History of the British Country House. Ed. Colvin, Howard and Harris, John. London, 1970.Google Scholar
Wittkower, Rudolf. Architectural Principles in the Age of Humanism [1962]. New York, 1971.Google Scholar
Wittkower, Rudolf. “Inigo Jones, Architect and Man of Letters.” Royal Institute of British Architects, Journal 60 (1953): 8390.Google Scholar
Wittkower, Rudolf. Palladio and Palladianism. New York, 1974.Google Scholar
Wotton, Sir Henry. The Elements of Architecture [1624]. Charlottesville, 1968.Google Scholar
Yates, Frances A. The Art of Memory. Chicago, 1966.Google Scholar