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Published online by Cambridge University Press: 20 November 2018
In 1564 Titian traveled to Brescia to discuss a commission for a set of three allegorical paintings for the ceiling of the Council Hall. While there, according to a hitherto unnoticed reference in Ascanio de’ Mori's Giuoco piacevole, he presented a Brescian noblewoman, Barbara Calina, with a painting or drawing representing the mythological figure Helle.
Ascanio Pipino de’ Mori da Ceno (1533—1591) is most often remembered today for his fourteen stories which are said to epitomize the adjustment of novellieri to the new moral climate of the Counter Reformation. In his own day, however, this Mantuan courtiersoldier- turned-author was perhaps best known for his Giuoco piacevole, which was popular enough to warrant three editions, in 1575, 1580, and 1590.