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Tatiana's Garden: Noble Sensibilities and Estate Park Design in the Romantic Era
Published online by Cambridge University Press: 27 January 2017
Extract
In “Baryshnia-krestianka” Aleksandr Pushkin introduces us to Grigorii Ivanovich Muromskii, a “nastoiashchii russkii barin” reduced to living on his one remaining estate, who squanders his remaining wealth creating an “Angliiskii sad.” The gardening revolution of eighteenth century England, inspired by the overgrown ruins of Rome and Naples and by a new feeling for untrammeled nature, set in motion a vogue for informal, picturesque landscaping that swept across Europe, altered garden design in the United States, and reached Russia in the reign of Catherine as the harbinger of a later, more pervasive aristocratic Anglomania. As Muromskii's landscaping proclivities suggest, by the early nineteenth century the English or “irregular” garden had become a universal form for the Russian country estate, its basic motifs carried out on whatever scale an estate owner could afford.
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References
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27. Occasionally, such statues as Sofievka's “Winter,” which depicted a gray-bearded man pulling a presumably wool cloak around his nude limbs, were to be found, although more common were copies of Greek, Roman, or Egyptian gods (see figs. 220 ( “Winter “) and 222 ( “Mercury “) in Kosarevskii, , Iskusstvo parkogo peizazha, 230, 232Google Scholar.
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38. Olga, Baranova, Kuskovo (Leningrad: Aurora, 1983), 54 Google Scholar. Kuskovo, used by the Sheremetevs for entertaining, was open to the public for weekly summer festivals in the late eighteenth century. In the 1770s the landscape park was added to the formal park, which was considered one of the most magnificent in Russia.
39. Bolotov, , Zhizn’ 2: 1156–1157 Google Scholar.
40. Anthony G. Cross describes the relation between translated and original works on gardening theory in this period in an illuminating article, “The English Garden and Russia: An Anonymous Identified,” Study Group on Eighteenth-Century Russia Newsletter 2 (September 1974): 25-29.
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45. Natalia Grot's wealthy uncle was an example. Describing the “iziashchnyi sad” of his estate in Lipetsk district, she says it would have compared well to the “samykh obrazovannykh utolkakh Evropy” and characterizes her uncle as a “zavziatyi angloman” ( N., Grot, hsemeinoi khroniki: Vospominaniia dlia detei i vnukov (St. Petersburg: I. N. Kushnerev, 1900), 96 Google Scholar.
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47. A contemporaneous painting of this picturesque village, which was further modified by Lancelot ‘Capability’ Brown in 1775, appears in Fleming and Gore, , The English Garden, 131 Google Scholar.
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55. Pushkin, , Sochineniia 3: 120 Google Scholar.
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