Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-26T09:00:49.021Z Has data issue: false hasContentIssue false
  • English
  • Français

Schoenberg's ‘Atonal’ Music

Published online by Cambridge University Press:  04 February 2010

Jim Samson
Get access Rights & Permissions [Opens in a new window]

Extract

Schoenberg's ‘atonal’ (i.e. nontonal, pre-serial) music continues to offer stubborn resistance to analysis. The co-existence within the oeuvre of widely diverging, even conflicting, ‘linguistic’ directions has resulted in a theoretical literature inclined to illuminate the individual work or specific technical feature rather than to lay the foundations for useful analytical generalizations.

Type
Research Article
Information
Tempo , Issue 109 , June 1974 , pp. 16 - 25
Copyright
Copyright © Cambridge University Press 1974

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1Forte, Allen: ‘Context and Continuity in an Atonal Work: A Set-theoretic Approach’. Perspectives of New Music, Spring 1963CrossRefGoogle Scholar
2Forte, Allen: ‘A Theory of Set Complexes’. Journal of Music Theory, Winter 1964CrossRefGoogle Scholar
3Forte, Allen: ‘Sets and Nonsets in Schoenberg's Atonal Music’. Perspectives of New Music, Fall-Winter 1972CrossRefGoogle Scholar
4Forte, Allen: The Structure of Atonal Music. Yale University Press, 1974Google Scholar
6Travis, Roy: ‘Directed Motion in Schoenberg and Webern’. Perspectives of New Music, Spring-Summer 1966CrossRefGoogle Scholar
6Brinkmann, Reinhold: Arnold Schoenberg: Drei Klavierstücke Op. 11. Franz Steiner Verlag, Wiesbaden, 1969Google Scholar
7Lewin, David: ‘Inversional Balance as an Organizing Force in Schoenberg's Music and Thought’. Perspectires of New Music, Spring-Summer 1968CrossRefGoogle Scholar
8Perle, George: Serial Composition and Atonality. University of California Press, Berkeley, 1968Google Scholar
9Schoenberg, Arnold: ‘My Evolution’. The Musical Quarterly, 10 1952CrossRefGoogle Scholar
10Friedheim, Philip: ‘Rhythmic Structure in Schoenberg's Atonal Compositions’. Journal of the American Musicological Society, Spring 1966CrossRefGoogle Scholar