Hostname: page-component-cd9895bd7-fscjk Total loading time: 0 Render date: 2024-12-26T22:24:52.693Z Has data issue: false hasContentIssue false
  • English
  • Français

Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure by eldritch Priest. Bloomsbury, 2013. £18.99

Published online by Cambridge University Press:  02 January 2015

Andrew Hugill
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
BOOKS
Information
Tempo , Volume 69 , Issue 271 , January 2015 , pp. 98 - 99
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Bök, Christian, ’Pataphysics: The Poetics of an Imaginary Science (Evanston: Northwestern University Press, 2002)Google Scholar, p. 6.

2 The true purpose of the Philosopher's Stone was to deliver an elixir of eternal youth. Turning base metals into gold was only ever a test for its efficacy. In this analogy, the book seeks to connect us with something that is ever youthful in our spirit.

3 Sandomir, I.-L.Opus Pataphysicum: Harangue Inaugurale (Paris: Collège de ‘Pataphysique, 1959)Google Scholar. Translation by Roger Shattuck (1948), cited in Evergreen Review, 4/13 (1960), pp. 169–173 --Google Scholar.

4 Jarry, Alfred, Gestes et Opinions du Docteur Faustroll, pataphysicien (Paris: Fasquelle, 1911)Google Scholar, p. 52.

5 Cascone, Kim, ‘The Aesthetics of Failure: Post-digital Tendencies in Contemporary Computer Music’, Computer Music Journal, 24/4 (2000), pp. 12–18 --CrossRefGoogle Scholar.