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Published online by Cambridge University Press: 04 February 2010
Roger Smalley says that in Webern as opposed to Schoenberg, canon dominates the later music, which is “a reason for the spareness of Webern's textures… These characteristics are also true of Stravinsky's serial music, which is why on the deepest level he is a Webernian serialist and (pace Hans Keller) not a Schoenbergian one”.