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Published online by Cambridge University Press: 15 December 2021
1 This influence, of course, raises questions around appropriation and being inside or outside a culture; certainly, he views African music with a particular perspective, as evidenced by the quote above. This is a point that would likely be more fiercely contested today than it was in the 1990s: see Taylor, Timothy D., ‘When We Think about Music and Politics: The Case of Kevin Volans’, Perspectives of New Music, 33, no. 1–2 (1995), pp. 504–36Google Scholar.
2 Bob Gilmore, ‘Wild Air: The Music of Kevin Volans’, Journal of Music, 2006, www.journalofmusic.com/focus/wild-air-music-kevin-volans (accessed 4 September 2021).
3 Ibid.
4 Ibid.