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Published online by Cambridge University Press: 04 February 2010
From these citations alone it is evident that there are any number of doctrines now current about nationalism and internationalism in music, theories of all degrees of good sense, part-sense and downright nonsense. Mr. Keller enjoys himself hugely among them. For his views and conclusions, however, I must refer my readers to the article itself; for my own part I can do no more in my limited space than timidly put forward one or two reflections of my own.