Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-27T08:14:36.288Z Has data issue: false hasContentIssue false
  • English
  • Français

Books Received

Published online by Cambridge University Press:  27 January 2010

Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Books Received
Information
Theatre Research International , Volume 35 , Issue 1 , March 2010 , pp. 93 - 95
Copyright
Copyright © International Federation for Theatre Research 2010

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ALEXANDER, CATHERINE M. S., ed., Shakespeare's Last Plays. Cambridge: Cambridge University Press, 2009. Pp. xviii + 222. £17.99/$29.99 Pb; £50/$90 Hb.Google Scholar
ALLAIN, PAUL, The Theatre Practice of Tadashi Suzuki: A critical study with DVD Examples. London: Methuen, 2009. Pp. x + 214 + DVD. £24.99 Hb.Google Scholar
AUTANT-MATHIEU, MARIE-CHRISTINE, ed., Mikhaïl Tchekhov – Michael Chekhov: de Moscou à Hollywood, du théâtre au cinema. Montpellier: Ed. L'Entretemps, 2009. Pp. 528 + illus. €30 Pb.Google Scholar
BAILEY, REBECCA A., Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625–1642. Manchester: Manchester University Press, 2009. Pp. xviii + 266. £50 Hb.Google Scholar
BÉRARD, SUZANNE J., Le Théâtre révolutionnaire de 1789–1794: La déchristianisation sur les planches. Paris: Presses Universitaires de Paris Ouest, 2009. Pp. 422. €23 Pb.Google Scholar
BRADY, SARA, AND WALSH, FINTAN, eds., Crossroads: Performance Studies and Irish Culture. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xii + 256. £55/$75 Hb.CrossRefGoogle Scholar
CARLSON, MARVIN, Theatre Is More Beautiful than War: German Stage Directing in the Late Twentieth Century. Cedar Rapids: University of Iowa Press, 2009. Pp. 240. $42.95/£36.95 Hb.Google Scholar
COWART, GEORGIA J., The Triumph of Pleasure: Louis XIV and the Politics of Spectacle. Chicago: University of Chicago Press, 2008. Pp. 336 + illus. $55/£38 Hb.Google Scholar
CULL, LAURA, ed., Deleuze and Performance. Edinburgh: University of Edinburgh Press, 2009. Pp. 282. £24.99 Pb; £75 Hb.Google Scholar
DUTTON, RICHARD, ed., The Oxford Handbook of Early Modern Theatre. Oxford: Oxford University Press, 2009. Pp. 752 + illus. £85/$150 Hb.Google Scholar
EFROS, ANATOLY, Beyond Rehearsal: Reflections on Interpretation and Practice, Continued. Trans. James Thomas. New York, Bern, e.a.: Peter Lang, 2009. Pp. 324 + illus. €56.50/£52.80/$81.95 Hb.Google Scholar
EYRE, RICHARD, Talking Theatre: Interviews with Theatre People. London: Nick Hern, 2009. Pp. xvi + 332. £20 Hb.Google Scholar
FENSHAM, RACHEL, To Watch Theatre: Essays on Genre and Corporeality. Brussels, Bern, e.a.: P.I.E. Peter Lang, 2009. Pp. 191. €32.50/£29.50/$44.50 Pb.Google Scholar
FOSTER, SUSAN LEIGH, ed., Worlding Dance. Basingstoke: Palgrave Macmillian, 2009. Pp. 240. £45/$75 Hb.CrossRefGoogle Scholar
GRADY, HUGH, Shakespeare and Impure Aesthetics. Cambridge: Cambridge University Press, 2009. Pp. x + 262. £55/$99 Hb.CrossRefGoogle Scholar
GUTHRIE, JOHN, Schiller the Dramatist: A Study of Gesture in the Plays. Rochester, NY and Woodbridge: Camden House, 2009. Pp. xii + 214. $75/£40 Hb.Google Scholar
HAEDICKE, SUSAN C., HEDDON, DEIRDRE, OZ, AVRAHAM AND WESTLAKE, E. J., eds., Political Performances: Theory and Practice. Amsterdam and New York: Rodopi, 2009. Pp. 380. €76 Pb.Google Scholar
HARRINGTON, JOHN P., ed., Irish Theater in America: Essays on Irish Theatrical Diaspora. Syracuse, NY: Syracuse University Press, 2008. Pp. 232. $24.95/£21.50 Hb.Google Scholar
HENNION, CATHERINE, La Naissance du théâtre moderne à Tôkyô: Du Kabuki de la fin d'Edo au Petit Théâtre de Tsukiji (1842–1924). Montpellier: L'Entretemps, 2009. Pp. 416 + illus. €30 Hb.Google Scholar
HOPKINS, D. J., ORR, SHELLEY AND SOLGA, KIM, eds., Performance and the City. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xiv + 270. £52 Hb.CrossRefGoogle Scholar
HORNBACK, ROBERT, The English Clown Tradition from the Middle Ages to Shakespeare. Woodbridge and Rochester, NY: D. S. Brewer, 2009. Pp. xiv + 240. £50/$95 Hb.Google Scholar
HUANG, ALEXANDER C. Y., Chinese Shakespeares: Two Centuries of Cultural Exchange. New York: Columbia University Press, 2009. Pp. 368. $26.50/£15.50 Pb; $84.50/£49.95 Hb.Google Scholar
HUNTER, LYNETTE, AND LICHTENFELS, PETER, Negotiating Shakespeare's Language in Romeo & Juliet: Reading Strategies from Criticism, Editing and the Theatre. Accompanied by a scholarly edition of the play on DVD. Pp. xii + 242 + DVD. Farnham and Burlington, VT: Ashgate, 2009. £50/$89.95 Hb.Google Scholar
IBBETT, KATHERINE, The Style of the State in French Theater, 1630–1660: Neoclassicism and Government. Farnham and Burlington, VT: Ashgate, 2009. Pp. viii + 176. £55/$99.95 Hb.Google Scholar
JESCHKE, CLAUDIA, VETTERMANN, GABI AND HAITZINGER, NICOLE, Les Choses Espagnoles: Research into the Hispanomania of 19th Century Dance. Munich: E-Podium, 2009. Pp. 136. €23 Pb.Google Scholar
JURKOWSKY, HENRIK, AND FOULC, THIERI, eds., Encyclopédie mondiale des arts de la marionette. Montpellier: L'Entretemps, 2009. Pp. 864 + illus. €80 Pb.Google Scholar
KOBIALKA, MICHAL, Further On, Nothing: Tadeusz Kantor's Theatre. Minneapolis: University of Minnesota Press, 2009. Pp. 552. $35 Pb; £65 Hb.Google Scholar
KOEGEL, JOHN, Music in German Immigrant Theater: New York City 1840–1940. Rochester: University of Rochester Press, 2009. Pp. 620. $80/£45 Hb.Google Scholar
KOLB, ALEXANDRA, Performing Femininity: Dance and Literature in German Modernism. Oxford, Bern, e.a.: Peter Lang, 2009. Pp. viii + 316 + illus. €42.80/£40/$61.95 Pb.Google Scholar
KUFTINEC, SONJA ARSHAM, Theatre, Facilitation, and Nation Formation in the Balkans and Middle East. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xviii + 218. £50/$75 Hb.CrossRefGoogle Scholar
MCCALLUM, JOHN, Belonging: Australian Playwriting in the Twentieth Century. Sydney: Currency, 2009. Pp. xi + 484 + illus. AU$49.95 Pb.Google Scholar
NATHANS, HEATHER S., Slavery and Sentiment on the American Stage, 1787–1861: Lifting the Veil of Black. Cambridge: Cambridge University Press, 2009. Pp. x + 278 +illus. £50/90 Hb.Google Scholar
NORLAND, HOWARD B., Neoclassical Tragedy in Elizabethan England. Neward: University of Delaware Press, 2009. Pp. 278. $60/£53.95 Hb.Google Scholar
OSTOVICH, HELEN, SYME, HOLGER SCHOTT AND GRIFFIN, ANDREW, eds., Locating the Queen's Men, 1583–1603: Material Practices and Conditions of Playing. Farnham and Burlington, VT: Ashgate, 2009. Pp. xiv + 270. £55/$99.95 Hb.Google Scholar
PICKERING, KENNETH, AND WOOLGAR, MARK, Theatre Studies: Foundations. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xii + 212. £16.99/$28.95 Pb.CrossRefGoogle Scholar
PIETRZAK-FRANGER, MONIKA, AND VOIGTS-VIRCHOW, ECKART, eds., Adaptations: Performing across Media and Genres. Trier: Wissenschaftlicher Verlag, 2009. Pp. 308. €32.50 Pb.Google Scholar
RILEY, SHANNON ROSE, AND HUNTER, LYNETTE, eds., Mapping Landscapes for Performance as Research: Scholarly Acts and Creative Cartographies. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. xxiv + 274. £55/$75 Hb.CrossRefGoogle Scholar
ROBINSON, MARC, The American Play, 1787–2000. New Haven and London: Yale University Press, 2009. Pp. x + 406 + illus. $45/£30 Hb.Google Scholar
ROZIK, ELI, Fictional Thinking: A Poetics and Rhetoric of Fictional Creativity in Theatre. Brighton and Portland: Sussex Academic Press, 2009. £18.95/$37.95 Pb; £55/$74.95 Hb.Google Scholar
RZHEVSKY, NICHOLAS, The Modern Russian Theater: A Literary and Cultural History. Armonk, NY: M. E. Sharpe, 2008. Pp. 312 + illus. $79.95/£68.50 Hb.Google Scholar
SALZMAN, ERIC, AND DESI, THOMAS, The New Music Theater: Seeing the Voice, Hearing the Body. Oxford: Oxford University Press, 2008. Pp. 418 + illus. £22.95/$39.95 Hb.CrossRefGoogle Scholar
SCHINO, MIRELLA, Alchemists of the Stage: Theatre Laboratories in Europe. Trans. Paul Warrington. Holstebro e.a.: Icarus, 2009. Pp. 272. €20/£17 Pb.Google Scholar
SCHWEITZER, MARLIS, When Broadway Was the Runway: Theater, Fashion, and American Culture. Philadelphia: University of Pennsylvania Press, 2009. Pp. 310 + illus. $39.95/£26 Hb.Google Scholar
SHEVTSOVA, MARIA, AND INNES, CHRISTOPHER, eds., Directors/Directing: Conversations on Theatre. Cambridge: Cambridge University Press, 2009. Pp. 288. £45/$80 Hb; £15.99/$23.99 Pb.Google Scholar
SIMON, ELI, The Art of Clowning. Basingstoke: Palgrave Macmillan, 2009. Pp. 192. £29.99 Pb; £55 Hb.CrossRefGoogle Scholar
SOKOL, B. J., Shakespeare and Tolerance. Cambridge: Cambridge University Press, 2009. Pp. 260. £50/$90 Hb.Google Scholar
SOLGA, KIM, Violence against Women in Early Modern Performance. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. 224. £52/$75 Hb.CrossRefGoogle Scholar
STANLAKE, CHRISTY, Native American Drama: A Critical Perspective. Cambridge: Cambridge University Press, 2009. Pp. xii + 242 + illus. £55/$99 Hb.Google Scholar
VAN MAANEN, HANS, KOTTE, ANDREAS AND SARO, ANNELI, eds., Global Changes, Local Stages: How Theatre Functions in Smaller European Countries. Amsterdam and New York: Rodopi, 2009. Pp. 538. €106/$154 Hb.Google Scholar
WALTON, J. MICHAEL, Euripides Our Contemporary. London: Methuen, 2009. Pp. 250. £16.99 Pb.Google Scholar
WILMER, S. E., ed., Native American Performance and Representation. Tucson: University of Arizona Press, 2009. Pp. 296. $49.95 Hb.Google Scholar