We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
BANU, GEORGES, ed., L'Enfant qui meurt: Motif avec variations. Montpellier: Ed. L'Entretemps, 2010. Pp. 320. €20 Pb.Google Scholar
BERGHAUS, GÜNTER, ed., Futurism and the Technological Imagination. Amsterdam and New York: Rodopi, 2009. Pp. viii + 390. €80/£76/$124 Hb.Google Scholar
BRAGA RIERA, JORGE, Classical Spanish Drama in Restoration English, 1660–1700. Amsterdam and Philadelphia: John Benjamins, 2009. Pp. xv + 330. €99/$149 Hb.Google Scholar
BROADHURST, SUSAN AND MACHON, JOSEPHINE, eds., Sensualities/Textualities and Technologies: Writings of the Body in 21st Century Performance. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 240. £50/$79.95 Hb.Google Scholar
BURDEN, MICHAEL AND THORP, JENNIFER, eds., Ballet de la nuit. Hillsdale, NY: Pendragon, 2010. Pp. 360 + 127 illus. $86/£67.50 Hb.Google Scholar
CHAOUCHE, SABINE, ed., Le ‘Théâtral’ de la France d'Ancien Régime: De la Présentation de soi à la représentation scénique. Paris: Honoré Champion, 2010. Pp. 544. €95 Hb.Google Scholar
CHATTERJEE, SUDIPTO, The Colonial Staged: Theatre in Colonial Calcutta. Calcutta and New York: Seagull, 2007. Pp. xxii + 318. Rs. 595/£16.99/$29.95 Pb; Rs. 695/£45/$84.95 Hb.Google Scholar
CLESS, DOWNING, Ecology and Environment in European Drama. Abingdon and New York: Routledge, 2010. Pp. 234. £70/$95 Hb.Google Scholar
COSDON, MARK, The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833–1931. Carbondale: Southern Illinois University Press, 2010. Pp. 200. £23.95/$28.50 Pb.Google Scholar
CRUICKSHANK, DON W., Don Pedro Calderón. Cambridge: Cambridge University Press, 2009. Pp. 494. £60/$99 Hb.Google Scholar
DE VOS, LAURENS AND SAUNDERS, GRAHAM, eds., Sarah Kane in Context. Manchester and New York: Manchester University Press, 2010. Pp. xxi + 240. £55 Hb.Google Scholar
DELGADO, MARIA M. AND REBELLATO, DAN, eds., Contemporary European Theatre Directors. Abingdon and New York: Routledge, 2010. Pp. xx + 428. £20.99/$33.95 Pb; £65/$105 Hb.Google Scholar
DETKEN, ANKE, Im Nebenraum des Textes: Regiebemerkungen in Dramen des 18. Jahrhunderts. Berlin: Walter de Gruyter, 2010. Pp. viii + 434. €99.95/$155 Pb.Google Scholar
DI BENEDETTO, STEPHEN, The Provocation of the Senses in Contemporary Theatre. Abingdon and New York: Routledge, 2010. Pp. 252. £80/$110 Hb.Google Scholar
DOLAN, WINIFRED, A Chronicle of Small Beer: The Memoirs of Winifred Dolan, Victorian Actress. Edited by Moreton, Andy. London: Society for Theatre Research, 2010. Pp. xvi + 86. £12/$24 Hb.Google Scholar
DREWES, MIRIAM, Theater als Ort der Utopie: Zur Ästhetik von Ereignis und Präsenz. Bielefeld: Transcript, 2010. Pp. 456. €33.80 Pb.CrossRefGoogle Scholar
DUFFY, PETER AND VETTRAINO, ELINOR, eds., Youth and Theatre of the Oppressed. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 304. £52.50/$80 Hb.CrossRefGoogle Scholar
DUNWORTH, FELICITY, Mothers and Meaning on the Early Modern English Stage. Manchester and New York: Manchester University Press, 2010. Pp. 248. £50/$79.95 Hb.CrossRefGoogle Scholar
DUROUX, ROSE AND URDICIAN, STÉPHANIE, eds., Les Antigones contemporaines de 1945 à nos jours, Clermont-Ferrand: Presses universitaires Blaise Pascal, 2010. Pp. 478. €20 Pb.Google Scholar
DYMKOWSKI, CHRISTINE AND CARSON, CHRISTIE, eds., Shakespeare in Stages: New Theatre Histories. Cambridge: Cambridge University Press, 2010. Pp. 322. £55/$95 Hb.Google Scholar
GANGULY, SANJOY, Jana Sanskriti: Forum Theatre and Democracy in India. Abingdon and New York: Routledge, 2010. Pp. 168. £60/$100 Hb; £19.99/$31.95 Pb.Google Scholar
GORDON, MICK, Theatre and the Mind. London: Oberon, 2010. Pp. 72. £9.99 Hb.Google Scholar
GRAY, FRANCES, Meggie Albanesi: A Life in the Theatre. London: Society for Theatre Research, 2010. Pp. x + 98. £12/$24 Hb.Google Scholar
GREGOR, KEITH, Shakespeare in the Spanish Theatre. London and New York: Continuum, 2009. Pp. 208. £60/$110 Hb.Google Scholar
GRUBER, WILLIAM, Offstage Space, Narrative, and the Theatre of the Imagination. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. 200. £52.50/$80 Hb.CrossRefGoogle Scholar
GRUDZINSKA, AGNIESZKA AND MASLOWSKI, MICHEL, eds., L'Âge d'or du théâtre polonais. De Mickiewicz à Wyspianski, Grotowski, Kantor, Lupa, Warlikowski. Paris: Ed. L'Amandier, 2009. Pp. 454. €20 Pb.Google Scholar
HALL, EDITH AND HARROP, STEPHE, eds., Theorising Performance: Greek Drama, Cultural History and Critical Practice. London: Duckworth, 2010. Pp. xiv + 306. £25 Pb.Google Scholar
HARDING, JAMES M., Cutting Performances: Collage Events, Feminist Artists, and the American Avant-Garde. Ann Arbor: University of Michigan Press, 2010. Pp. 244. £49.50/$60 Hb.CrossRefGoogle Scholar
HÉNIN, EMMANUELLE, ed., Les Querelles dramatiques à l'âge classique, XVIIe–XVIIIe siècles. Leuven/Louvain: Peeters, 2010. Pp. 335. €45 Pb.Google Scholar
HOUPPERMANS, SJEF, MOORJANI, ANGELA E.A., eds., Where Never Before: Beckett's Poetics of Elsewhere/La Poétiquer d l'ailleurs. Amsterdam and New York: Rodopi, 2009. Pp. 256. €52/$73 Hb.Google Scholar
KENNEDY, DENNIS AND LAN, YOUNG LI, eds., Shakespeare in Asia: Contemporary Performance. Cambridge: Cambridge University Press, 2010. Pp. xiv + 290. £55/$95 Hb.Google Scholar
KIM, SUK-YOUNG, Illusive Utopia: Theater, Film, and Everyday Performance in North Korea. Ann Arbor: University of Michigan Press2010. Pp. 400. £53.95/$65 Hb.CrossRefGoogle Scholar
LABEDZKA, IZABELLA, Gao Xingjian's Idea of Theatre: From the Word to the Image. Leiden: Brill, 2010. Pp. 248. €93 Hb.Google Scholar
LEV-ALADGEM, SHULAMITH, Theatre in Co-communities: Articulating Power. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. viii + 192. £50/$80 Hb.CrossRefGoogle Scholar
LOCHERT, VÉRONIQUE AND THOURET, CLOTILDE, eds., Jeux d'influences. Théâtre et roman de la Renaissance aux Lumières. Paris: PUPS, 2010. Pp. 270. €22 Pb.Google Scholar
LÓPEZ-PELÁEZ CASELLAS, JESÚS, ‘Honourable Murderers’: El concepto del honor en Othello de Shakespeare y en los ‘dramas de honor’ de Calderón. Oxford e.a.: Peter Lang, 2009. Pp. 321. £39/$67.95 Pb.Google Scholar
LOWERRE, KATHRYN, Music and Musicians on the London Stage, 1695–1705. Farnham and Burlington: Ashgate, 2009. Pp. xvi + 412. £60/$99.95 Hb.Google Scholar
MCMULLAN, ANNA, Performing Embodiment in Samuel Beckett's Drama. Abingdon and New York: Routledge, 2010. Pp. 196. £80/$110 Hb.Google Scholar
MADHAVAN, ARYA, Kudiyattam Theatre and the Actor's Consciousness. Amsterdam and New York: Rodopi, 2010. Pp. 212. €42/$59 Pb.Google Scholar
MADISON, D. SOYINI, Acts of Activism: Human Rights as Radical Performance. Cambridge: Cambridge University Press, 2010. Pp. x + 324. £60/$99 Hb.CrossRefGoogle Scholar
MALONE, IRINA RUPPO, Ibsen and the Irish Revival. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xii + 224. £55/$80 Hb.CrossRefGoogle Scholar
MASTRONARDE, DONALD J., The Art of Euripides: Dramatic Technique and Social Context. Cambridge: Cambridge University Press, 2010. Pp. 376. £60/$99 Hb.CrossRefGoogle Scholar
MATHEWS, P. J., ed., Companion to J. M. Synge. Cambridge: Cambridge University Press, 2009. Pp. 214. £45/$90 Hb; £17.99/$29.99 Pb.CrossRefGoogle Scholar
METZGER, STEPHANIE, Theater und Fiktion: Spielräume des Fiktiven in Inszenierungen der Gegenwart. Bielefeld: Transcript, 2010. Pp. 406. €35.80 Pb.CrossRefGoogle Scholar
MONAHAN, BARRY, Ireland's Theatre on Film: Style, Stories and the National Stage on Screen. Dublin: Irish Academic Press, 2009. Pp. 288. €60/£45 Hb.Google Scholar
MONKS, AOIFE, The Actor in Costume. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. 176. £50 Hb.Google Scholar
NADEL, ALAN, ed., August Wilson: Completing the Twentieth-Century Cycle. Iowa City: University of Iowa Press, 2010. Pp. 248. £26.95/$29.95 Pb.Google Scholar
PERDIGAO, LISA K. AND PIZZATO, MARK, eds., Death in American Texts and Performances: Corpses, Ghosts, and the Reanimated Dead. Farnham and Burlington: Ashgate, 2010. Pp. xii + 216. £55/$99.95 Hb.Google Scholar
PROST, BRIGITTE, Le Répertoire classique sur la scène contemporaine: Les Jeux de l'écart. Rennes: Presses universitaires de Rennes, 2010. Pp. 474. €20 Pb.Google Scholar
RAGUSSIS, MICHAEL, Theatrical Nation: Jews and Other Outlandish Englishmen in Georgian Britain. Philadelphia: University of Pennsylvania Press, 2010. Pp. 288. £36/$55 Hb.Google Scholar
RICHARDS, JEFFREY, The Ancient World on the Victorian and Edwardian Stage. Basingstoke and New York: Palgrave Macmillan, 2009. Pp. 280. £52/$80 Hb.CrossRefGoogle Scholar
RIDDER, KLAUS, ed., Fastnachtspiele: Weltliches Schauspiel in literarischen und kulturellen Kontexten. Berlin: Walter de Gruyter, 2009. Pp. 466. €114.95 Hb.CrossRefGoogle Scholar
RIEGER, GABRIEL A., Sex and Satiric Tragedy in Early Modern England: Penetrating Wit. Farnham and Burlington: Ashgate, 2009. Pp. x +148. £45/$89.95 Hb.Google Scholar
ROKISON, ABIGAIL, Shakespearean Verse Speaking: Text and Theatre Practice. Cambridge: Cambridge University Press, 2010. Pp. 248. £55/$95 Hb.Google Scholar
ROSENSTATTER, JOSEF, Dramenstoffe aus Karibik und Fernost im lateinischen Barocktheater der Alma Mater Benedictina zu Salzburg. Bern e.a.: Peter Lang, 2010. Pp. 216. €39.80/SFR 58/£33.50/$57.95 Pb.Google Scholar
ROWLAND, RICHARD, Thomas Heywood's Theatre, 1599–1639: Locations, Translations, and Conflict. Farnham and Burlington: Ashgate, 2010. Pp. xiv + 380. £65/$124.95 Hb.Google Scholar
SALTER, CHRIS, Entangled: Technology and the Transformation of Performance. Foreword by Peter Sellars. Cambridge, MA: The MIT Press, 2010. Pp. 480 +78 illus. £29.95/$40 Hb.CrossRefGoogle Scholar
SCHMIDT, WOLF GERHARD, Zwischen Antimoderne und Postmoderne: Das deutsche Drama und Theater der Nachkriegszeit im internationalen Kontext. Stuttgart: Metzler, 2009. Pp. 800. €99.95 Hb.CrossRefGoogle Scholar
SIEGEL, MARCIA B., Mirrors and Scrims: The Life and Afterlife of Ballet. Middletown, CT: Wesylan University Press. 2010. Pp. 416. £70.50/$85 Hb; £23.50/$27.95 Pb.Google Scholar
TRIVEDI, POONAM AND RYUTA, MINAMI, eds., Re-playing Shakespeare in Asia. Abingdon and New York: Routledge, 2010. Pp. xii + 344. £80/$110 Hb.Google Scholar
WALSH, BRIAN, Shakespeare, the Queen's Men, and the Elizabethan Performance of History. Cambridge: Cambridge University Press, 2010. Pp. 246. £55/$95 Hb.Google Scholar
WELLS, STANLEY, Shakespeare, Sex, and Love. Oxford: Oxford University Press, 2010. Pp. 304. £16.99/$27.95 Hb.Google Scholar
WERNER, SARAH, ed., New Directions in Renaissance Drama and Performance Studies. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. x + 226. £50/$80 Hb.Google Scholar
WESTCOTT, JAMES, When Marina Abramović Dies: A Biography. Cambridge, MA: The MIT Press, 2010. Pp. 326 + 100 illus. £19.95/$27.95 Pb.Google Scholar
WINET, EVAN DARWIN, Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. Basingstoke and New York: Palgrave Macmillan, 2010. Pp. xvi + 262. £55/$85 Hb.CrossRefGoogle Scholar
ZIOLKOWSKI, THEODORE, Scandal on Stage: European Theater as Moral Trial. Cambridge: Cambridge University Press, 2009. Pp. 202. £50/$85 Hb.CrossRefGoogle Scholar