Hostname: page-component-745bb68f8f-v2bm5 Total loading time: 0 Render date: 2025-01-13T09:49:10.168Z Has data issue: false hasContentIssue false
  • English
  • Français

The House as Setting and Metaphor in Strindberg's Chamber Plays

Published online by Cambridge University Press:  23 January 2009

Birgitta Steene
Birgitta Steene
Affiliation:
Professor of Scandinavian Literature at the University of Washington, Seattle.
Get access Rights & Permissions [Opens in a new window]

Extract

The houses Strindberg describes in his stage directions for the chamber plays demand a great deal of sheer physical space. A part of a practical, dramaturgical reality that calls for visualization, they constitue an integral part of the setting. It has in fact been said that in Strindberg's chamber plays ‘houses are the main characters’.

Type
Articles
Information
Theatre Research International , Volume 18 , supplementary S1 , March 1993 , pp. 37 - 41
Copyright
Copyright © International Federation for Theatre Research 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Ny svensk illustrerad litteraturhistoria. Stockholm: Natur och kultur, 1957, vol. 4:132.Google Scholar

2. See Lars Ring's review in Svenska Dagbladet, 19.1.1991.

3. Bergman, Ingmar, ‘Varje film är min sista.’ Filmnyheter Nr. 9–10, 1959.Google Scholar