Hostname: page-component-745bb68f8f-cphqk Total loading time: 0 Render date: 2025-01-13T14:26:56.405Z Has data issue: false hasContentIssue false
  • English
  • Français

VICTORIANS LIVE

Published online by Cambridge University Press:  06 February 2015

Get access Rights & Permissions [Opens in a new window]

Extract

Influences, Imitators, Offshoots, and Other Interlocutors: Punch Re-Rooted: Comedy and the Periodical Press 1820–1850

SHANNON R. SMITH

A Royal Passion: Queen Victoria and Photography

RICHARD L. STEIN

Oscar the Opera and the High-Pitched Life

GAIL TURLEY HOUSTON

Conversations with Oscar Wilde

ANN C. COLLEY

A Felt Experience: Touching the Book at Birkbeck, London

RYAN SWEET

Type
Victorians Live
Information
Victorian Literature and Culture , Volume 43 , Issue 1 , March 2015 , pp. 171 - 202
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CONSIDERED

Punch Re-Rooted: Comedy and the Periodical Press 1820–1850. Curated by Clare Horrocks, Brian Maidment, Valerie Stevenson. Aldham Robarts Library, Liverpool John Moores University. 22 October - 20 December, 2013.Google Scholar
Altick, Richard. Punch: The Lively Youth of a British Institution. Columbus: Ohio State UP, 1999.Google Scholar
Horrocks, Clare. The Punch Contributor Ledgers Project. Web. 5 Jan. 2013.Google Scholar
Horrocks, Clare. Punch and the Victorian Periodical Press. Web. 5 Jan. 2013.Google Scholar
Horrocks, Clare, Maidment, Brian, and Stevenson, Valerie. Punch Re-Rooted: Comedy and the Periodical Press 1820–1850: Catalogue of an Exhibition held at the Aldham Robarts Library. Liverpool: Liverpool John Moores University Archives, 2013.Google Scholar
Leary, Patrick. The Punch Brotherhood: Table Talk and Print Culture in Mid-Victorian England. London: The British Library, 2010.Google Scholar
Maidment, Brian. Comedy, Caricature and the Social Order 1820–1850. Manchester: Manchester UP, 2013.Google Scholar
Young, Alan. Punch and Shakespeare in the Victorian Era. Bern: Peter Lang, 2007.Google Scholar

WORKS CONSIDERED

Lyden, Anne M., Curator. A Royal Passion: Queen Victoria and Photography. J. Paul Getty Museum, Los Angeles. February 4 - June 8, 2014. Exhibit.Google Scholar
Lyden, Anne M.. A Royal Passion: Queen Victoria and Photography. Los Angeles: J. Paul Getty Museum, 2014.Google Scholar
Plunkett, John. Queen Victoria: First Media Monarch (New York and Oxford: Oxford UP, 2003). Print.Google Scholar

WORKS CONSIDERED

Oscar by Theodore Morrison. Libretto by John Cox and Theodore Morrison. Conductor, Evan Rogister. Director, Kevin Newbury. David Daniels (Wilde); Reed Luplau (Bosie); Dwayne Croft (Walt Whitman). Santa Fe Opera. July 27, August 8, 9, 12, 17, 2013.Google Scholar
Clive, Michael, ed. The Santa Fe Opera 2013 Season Program Book. 2013.Google Scholar
Cox, John. “Truth Art and Life.” The Santa Fe Opera 2013 Season Program Book. 2013. 76–79.Google Scholar
Cox, John. “A historical introduction by librettist John Cox.” The Santa Fe Opera 2013 Season Program Book. 2013. 74.Google Scholar
Ellmann, Richard. Oscar Wilde. New York: Knopf, 1967.Google Scholar
Isaacs, Gregory Sullivan. “Born to be Wilde.” TheaterJones Reviews. 14 Aug. 2013. np. Web. 16 June 2014.Google Scholar
Newberry, Kevin. “Director Kevin Newbury on Oscar — and on Oscar Wilde.” The Santa Fe Opera 2013 Season Program Book. 2013. 79.Google Scholar
“Santa Fe Opera To Present New Opera About Oscar Wilde.” Press Release from Santa Fe Opera. Email to the author from Cindy Layman. 16 June 2014.Google Scholar
Wilde, Oscar. The Complete Letters of Oscar Wilde. Ed. Holland, Merlin and Hart-Davis, Rupert. New York: Henry Holt, 2000.Google Scholar
Wilde, Oscar. De Profundis. The Complete Letters of Oscar Wilde. Ed. Holland, Merlin and Hart-Davis, Rupert. New York: Henry Holt, 2000. 683–780.Google Scholar

WORKS CONSIDERED

Lady Windermere's Fan. Directed by Peter Hinton. The Shaw Festival Theatre, Niagara-on-the-Lake, Canada. May 9 – October 19, 2013.Google Scholar
A Woman of No Importance. Directed by Josephine Hogan. The Irish Classical Theatre, Buffalo, New York. January 17 – February 9, 2014.Google Scholar
“The Art of Oscar Wilde.” Shaw Festival Program for Lady Windermere's Fan. 2013.Google Scholar
Chase, Tony. Personal Interview with Tony Chase. May 2014.Google Scholar
Danowski, Colin. “The real housewives of Oscar Wilde: ICTC's ‘Woman of No Importance’ sends up the 1 percent.” Gusto in Buffalo News. 22 Jan. 2014. Web. 20 June 2014.Google Scholar
Hinton, Peter. “Director's Notes.” Shaw Festival Program for Lady Windermere's Fan. 2013.Google Scholar
Hogan, Josephine. Personal Interview with Josephine Hogan. May 2014.Google Scholar
The Oscar Wilde Collection: The Importance of Being Earnest (1988), The Picture of Dorian Gray (1976), An Ideal Husband (1969), and Lady Windermere's Fan (1985). DVD: BBC Video. 2 Discs.Google Scholar
Raby, Peter. “Wilde's Comedies of Society.” The Cambridge Companion to Oscar Wilde. Ed. Raby, Peter. Cambridge: Cambridge UP, 1997. 143–60.Google Scholar
Sloan, John. Oscar Wilde. Oxford: Oxford World's Classics, 2003.Google Scholar
Spencer, Charles. “Maggie Hambling's sculpture I’d love to smash.” Telegraph. 22 Sept. 2009. Web. 20 June 2014.Google Scholar

WORKS CONSIDERED

Touching the Book: Embossed Literature for Blind People in the Nineteenth Century. Peltz Gallery, Birkbeck, London. July 18 –Oct. 30, 2013. Curated by Heather Tilley.Google Scholar
Collins, Wilkie. Poor Miss Finch. 1872. London: Oxford UP, 2008.Google Scholar
Esmail, Jennifer. Reading Victorian Deafness: Signs and Sounds in Victorian Literature and Culture. Athens: Ohio UP, 2013.Google Scholar
Moon's Society. Forty-Eighth Annual Report of Moon's Society, For Embossing & Circulating the Holy Scriptures and Other Useful Books, &c. Brighton, 1896.Google Scholar
O’Farrell, Mary Ann. “Blindness Envy: Victorians in the Parlors of the Blind.” PMLA 127.3 (2012): 512–25.Google Scholar
Tilley, Heather. Touching the Book: Embossed Literature for Blind People in the Nineteenth Century. WordPress, 16 Sep. 2013. Web. 1 July 2014.Google Scholar
Warne, Vanessa. “On Bridges and Streets: The Public Face of Raised-Print Readers.” Touching the Book. WordPress, Oct. 4 2013. Web. 1 July 2014.Google Scholar
Wells, H. G. “The Country of the Blind.” 1904. The Country of the Blind and Other Selected Stories. London: Penguin, 2007. Kindle file.Google Scholar