Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T07:25:53.786Z Has data issue: false hasContentIssue false
  • English
  • Français

On the Acoustics and the Systematic Classification of the Jaw's Harp.

Published online by Cambridge University Press:  14 February 2019

Ola Kai Ledang
Ola Kai Ledang*
Affiliation:
Universitetet I Trondheim, Musikkvitenskapelig Institutt, Norway
Get access

Extract

Numerous theories of the sound producing mechanism of the jaw's harp have been put forward, none of which appears quite convincing or appropriate. The main reason for this seems to be that certain essentials of the making of and playing on this instrument have been neglected, underestimated or simply overlooked by the investigators. This paper represents an attempt to show some weak points of the existing theories, to describe an empiric investigation by means of electronic sound spectrographs, and finally, to establish a new general outlook on the acoustical and musical properties of the jaw's harp.

Type
Articles
Information
Yearbook of the International Folk Music Council , Volume 4 , 1972 , pp. 95 - 103
Copyright
Copyright © 1973 By the International Folk Music Council 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Footnotes

1. Li Hwei, “A Comparative Study of the Jaw's Harps among the Aborigines of Formosa and East Asia,” Bulletin of the Institute of Ethnology (Academia Sinica), I(1956), 85–140, XVIII-XXIX; Curt Sachs, “Die Maultrommel. Eine typologische Vorstudie,” Zeitschrift für Ethnologie, 49 (1917), 185–200.Google Scholar

2. Victor-Charles Mahillon, Catalogue descriptif et analytique du Musée Instrumental du Conservatoire Royal de Musique de Bruxelles. I (2.ed.). Gand.; Erich v. Hornbostel and Curt Sachs, “Systematik der Musikinstrumente,” Zeitschrift für Ethnologie 46 (1914), 553–590. (English translation: Anthony Baines and Klaus P. Wachsmann, Galpin Society Journal 14 [1961,] 3–29).Google Scholar

3. Charles Wheatstone, Aus Wheatstone's “Abhandlung über die Resonanz oder mitgetheilte Schwingung der Luftsäulen,” Allgemeine musikalische Zeitung 30 (1828), 601–607, 625–630. (“The Resonance or Reciprocated Vibrations of Columns of Air,” orig. publ. in Quarterly Journal of Science (1828), and “Reed Organ Pipes, Speaking Machines, etc.,” orig. publ. in London and Westminister Review (1837) are reproduced in Scientific Papers (1879), 36–46, 34–46, 348–367.Google Scholar

4. Wilhelm Weber, “Etwas über resonierende Luftsäulen und Lufträume von Wheatstone,” Schweigger's Jahrbuch der Chemie und Physik 23(1828), 321–333. (reproduced in Wilhelm Weber's Werke. Erster Band: Akustik, Mechanik, Optik und Warmlehre, pp. 130–134.Google Scholar

5. Curt Sachs, op. cit. (1917).Google Scholar

6. Curt Sachs, Handbuch der Musikinstrumente, (Leipzig, 1920).Google Scholar

7. H. Bouasse, Tuyaux et Resonateurs, (Paris, 1929).Google Scholar

8. Heinrich Scheiber, “Die Aurs”, Allgemeine musikalische Zeitung 8, No. 30 (1816), 505–512 + Beilagen, 3 pp.Google Scholar

9. Emile Leipp, “La Guimbarde,” Bulletin du Groupe d'acoustique Musicale, No. 25 (1967), 25pp. Stensilert.Google Scholar

Additional bibliographic references: Frederick Crane, “The Jew's Harp as Aerophone,” Galpin Society Journal 21 (1968), 66–69; Bruno Ravinkar, “Akustična študija Drumeljce,” Musikološki Zbornik (Ljubljana), 9 (1970), 99–104.Google Scholar