I. Introduction
Post-unification Italy saw an unprecedented nation-building effort, which involved some Waldensian intellectuals in “making Italians” endeavors.Footnote 1 The Alpine Waldensians were one of the largest cultural and religious minorities in nineteenth-century Italy: being adherents of a reformed Protestantism and long segregated in the Piedmont valleys, their community had stronger ties with the northern Protestant countries than the rest of the peninsula; their pastors received their education in Switzerland, Netherlands, and England; they spoke a variant of Occitan in their “Valleys” and used French as communication language with the outside world.Footnote 2 However, with their civil emancipation in 1848 and especially after the unification, their pastors began engaging in missionary activities throughout the peninsula, participating in a new public sphere and becoming interested in national questions.Footnote 3 Emilio Comba (1839–1904), a leading Waldensian historian in this period, was among them.Footnote 4 From the 1870s, as a professor of church history at the Waldensian Faculty of Theology (Facoltà valdese di teologia) at Florence, Comba wrote numerous historical works in which he highlighted the Protestant nature of the Italian nation. He firmly believed that liberal Italy needed “religious reform” to eliminate the enduring hegemony of the Roman church and complete the political Risorgimento.
Discussing what Valdo Vinay called the “gradual Italianization” of the Waldensians, historians identified Comba as a prominent figure in this process.Footnote 5 In Comba's sole biography, Stefania Biagetti holds that he “made an important contribution to the integration of Waldensians into the national culture.”Footnote 6 As for Comba's historical research, some scholars, including Vinay and Biagetti, emphasize his empiricist attitude, while other historiographical reviews assert that he was still not free from confessional bias.Footnote 7 A recent overview by Simone Maghenzani, even refuting a stereotype about the Waldensian historian, collocates his work on the Italian Reformation with a family of Protestant-national historiographies.Footnote 8
However, since previous studies on Comba's historical works limited their interest to his confessional ideology or methodology, few have been done on his intellectual debt to the early modern confessional frameworks. Although it is undeniable that the concept of nation penetrated increasingly in European historiographies in the nineteenth century, the representation of the past connected to some kind of collective identity is hardly the invention ex nihilo of modern nation-builders.Footnote 9 Indeed, the early modern Waldensians held a peculiar narrative of their past which strongly defined their communal identity through a mythical origin and genealogical succession. Nevertheless, the relationship between this earlier framework of the past and Comba's historical writings remains largely unexplored. The present article addresses this problem, investigating how Comba, writing along with a practical category of the nation, exploited preexisting historical narratives and, simultaneously, how early modern historiography conditioned his national history.Footnote 10
In the second section of this article, I will briefly summarize the early modern Waldensian historiographies’ basic character and historical development. Section III presents the situation of the Waldensians in the later nineteenth century. Section IV examines Comba's nationalistic idea of religious reform in Italy, pointing out its complex relationship with history. Since the Waldensian pastor consistently advocated this cause of reform until the last days of his life, and the argument remained constant in many of his writings, I examine his entire vision regarding its relationship to history rather than discussing each work separately. Section V discusses the narrative structure of his two principal works, Storia della Riforma in Italia (History of Reformation in Italy, 1881) and I nostri protestanti (Our Protestants, 1895/97), demonstrating how Comba diverted the traditional Waldensian narrative into national history for presenting Italy's Protestant past. In conclusion, I will collocate the case of Comba in broader contexts—specifically the role of early modern confessional frameworks in building a modern European nation.
II. The Structure of the Early Modern Waldensian Historiography
According to today's scholarly consensus, the Waldensians trace their origins to the twelfth-century Lyon, and their name comes from its founder, Valdesius.Footnote 11 In the later Middle Ages, while the papacy persecuted them as heretics, many Waldensians sought refuge in the Alpine valleys, Calabria, and southern Germany. In 1532, the surviving Alpine Waldensians decided to embrace the Reformation and participated in the international Protestant networks.Footnote 12 Throughout the early modern ages, they suffered oppression from France and Savoy, which led to some infamous massacres.Footnote 13 Many inhabitants of the French side of the Alpine were forced into exile; the Piemontese communities gained some autonomy in 1561 on condition of segregation in the so-called “Valleys,” though persecution and resistance lasted intermittently until 1730.
In early modern Europe, the myth of the Waldensians was widely known: many prominent scholars believed that they were remnants of the primitive church and preserved the true Religion from antiquity, untainted by the corruption of the Roman church.Footnote 14 This myth originated in historical and theological disputes of the sixteenth century in which almost all confessions competed for historical legitimacy, declaring their succession from the apostolic church.Footnote 15 When the Catholic historians developed a twofold criticism of reformers, equating them with the perennial heresy on the one hand and attacking their novelty on the other, Protestants exalted the past dissenters as forerunners of the Reformation.Footnote 16 By considering Cathars, Hussites, and Savonarola as their precursors, reformers claimed the uninterrupted continuity of the true Church. As visible survivors of medieval dissenters, the Waldensians occupied a privileged position in such Protestant genealogies, including those of Matthias Flacius Illyricus and Théodore de Bèze.Footnote 17 The latter referred to them as “offspring of the old and purer church,” interpreting its appellation (Valdenses in Latin, Vaudois in French, and Valdesi in Italian) as a derivative of their inhabitance rather than Valdesius.Footnote 18
In the seventeenth century, scholars working within cosmopolitan Protestant networks took a step further in constructing a unique framework for Waldensian history. Two British historians, James Ussher (1581–1656) and Samuel Morland (1625–1695), definitely traced the origin of the Waldensians back to antiquity.Footnote 19 They asserted that in the early or central Middle Ages, when the papacy began to introduce pagan superstition and idolatry, the inhabitants of the alpine valleys separated themselves from the Roman church; from then on, only their church maintained the authentic liturgies, doctrines, and customs of the primitive church. Moreover, Morland posited that the true Religion retained in the Waldensian valleys was propagated outside through the dissenters such as Peter of Bruis, Henry of Toulouse, Arnold of Brescia, Valdesius, Cathars, Lollards, Hussites, Luther, and Calvin.Footnote 20 In a way, these authors reversed the sixteenth-century Protestant genealogy, of which the Waldensians constituted only a part, into the all-inclusive Waldensian genealogy.
Morland's vision flowed into the Waldensian historiography through Jean Léger (1615–1670), pastor and moderator of the Waldensian churches after 1643.Footnote 21 After the massacre of 1655, Léger went into exile in the Netherlands and published Histoire generale des eglises evangeliques des Vallées de Piemont ou Vaudoises (General History of the Evangelical Churches in the Valleys of Piedmont or the Waldensians, 1669).Footnote 22 In this work, Léger claimed the Waldensians' ancient origin, the schism from the Roman church in the age of Claudius of Turin, their pureness in liturgies, doctrines, and customs, and their uninterrupted succession, as his friend Morland did.Footnote 23 In order to gain favor for his homeland, the ex-moderator underlined the importance of the Piemontese valleys in delivering the true Religion to such a degree that he paradoxically maintained that “if any inhabitant of the Valleys would be pagan or papist yet, this will not prevent him from being called Waldensian since it concerns his place of residence regardless of one's faith.”Footnote 24 However, the way Léger traced the history of the Waldensian community and proposed the alleged genealogy of Waldensians followed his British precursors.Footnote 25
The widespread dissemination of these seventeenth-century works determined the subsequent narrative of and about the Waldensians in Protestant countries.Footnote 26 In the Valleys, almost all Waldensian historians followed the account of Morland and Léger, confirming their ancient origin and presented an imagined genealogy of Waldensian-protestants. They accused the Roman church of introducing novelty in their cult and, in turn, accented the pureness of the Waldensian church in liturgies, doctrines, and customs. Authors such as Pierre Boyer (1619–c.1700), Jacques Brez (1771–1798), Jean Rodolphe Peyran (1751–1823), Antoine Monastier (1774–1852), Amedeo Bert (1809–1883), and Alexis Muston (1810–1888), all shared a basic structure inherited from the cosmopolitan networks of protestants, even though there were variations and mutual contradictions in specifics and emphasis.Footnote 27 Due to their writings and the influence of their foreign colleagues, the myth of the Waldensians' ancient origin became a common property of the European protestant churches.
III. The Waldensians in the Nineteenth Century: Confronting Italy
After short-lived freedom during the revolutionary and Napoleonic periods, the Alpine Waldensians finally achieved civil emancipation in 1848. On February 17, King Carlo Alberto recognized their citizenship, removing all restrictions imposed on their activities until then.Footnote 28
The long-awaited emancipation led the Waldensians to turn to the rest of Italy. In particular, younger pastors inspired by Réveil (Geneve-born Evangelical Awakening) began to embark on missionary work outside the Valleys in an effort to convert the whole peninsula.Footnote 29 In 1855, under their initiative, the Synod founded the Waldensian Faculty of Theology and the Claudiana publishing house at Torre Pellice.Footnote 30 With the expansion of the mission following unification, the former moved to first Florence in 1861 and then Rome in 1922. Of course, as we know all too well, most inhabitants of Italy remained Catholic. Nevertheless, Waldensian pastors succeeded in founding small evangelical communities throughout the peninsula, disseminating enormous numbers of books and pamphlets.Footnote 31
However, the situation outside the Valleys did not give the Waldensians cause for optimism. The Albertine Statute, enacted in the following month of emancipation, established Catholicism as the sole state religion: it tolerated other cults but did not concede complete freedom.Footnote 32 In fact, throughout the late nineteenth century, the Waldensians faced much hostility from their new fellow citizens. Some Catholics vehemently denounced the governmental decision and launched anti-Waldensian campaigns.Footnote 33 They saw any reconciliation with the Protestant and non-Italian-speaking Waldensians as a threat to the Piemontese society, because it would result in political disunity, moral deterioration, and an increase in foreign influence.
Moreover, Waldensian missionary activities caused clashes not only with local priests but also with other Protestant churches, which had started to penetrate the country after unification. The failures of revolutions in the first half of the century drove many of its leaders to embrace Protestantism, particularly Anglo-evangelicalism.Footnote 34 These converts, who preferred a free church to a traditional confessional community, saw the Waldensians as obsolete, half-Catholic, and foreign, “without knowing Italian customs and costumes, without comprehending nor correctly speaking our language.”Footnote 35 Numerous missionaries from England, the United States, and Germany only complicated the circumstance.Footnote 36 Repeated attempts to unite and establish a national Protestant church in Italy had been unsuccessful.Footnote 37
In response to attacks from other confessions and denominations, Waldensian intellectuals resorted to their most familiar weapon: history. The day after emancipation, pastor Amedeo Bert (1809–1883) published I Valdesi ossiano i Cristiani-cattolici secondo la Chiesa primitiva (The Waldensians or the Catholic Christians According to the Primitive Church, 1849) in order to present their church to the new fellow citizens.Footnote 38 In 1851, Alexis Muston (1810–1888), who would later become the first honorary president of the Société d'Histoire Vaudoise, detailed the course of the Alpine Waldensian history in L'Israël des Alpes (The Israel of the Alps).Footnote 39 In 1861, just after the unification, another zealous pastor with a revolutionary mind, Paolo Geymonat (1827–1907) defended their ancient origin, authentic faith, and the cause for the Italian mission.Footnote 40 Even though all these works ended up repeating the traditional narrative of their past always in the same scheme, it is significant that two of them were written no longer in French, but in Italian. Some compatriots and foreign Protestants, accepting their claims, enthusiastically supported them.Footnote 41
However, during the nineteenth century, the scholarly attitude toward the Waldensian myth became increasingly critical.Footnote 42 In addition to the polemics by the erudite clergies of the Roman church, nascent modern philology and a positivistic approach revealed that no sources supported the existence of the Waldensians before the late twelfth century.Footnote 43 Furthermore, although many Waldensians persisted in their mythical past, even within their community a critical voice emerged. It was none other than the voice of Emilio Comba. In 1877, Comba, a professor of church history of the Faculty, published his first article on the subject. Examining recent surveys from non-Waldensian authors and admitting their validity, he claimed that the Waldensians originated in twelfth-century Lyon, not in the primitive church.Footnote 44 He repeated his conclusion in Valdo ed i Valdesi avanti la riforma (Valdesius and the Waldensians before Reformation, 1880), which was welcomed by scholars abroad but received extreme hostility in the Valleys.Footnote 45 However, by the end of the nineteenth century, many Waldensians seemed to abandon the myth and accepted their medieval origin.Footnote 46
Therefore, at first sight, Comba appeared as a historian who embraced modern scientific methodology and departed from the confessional understanding of the past. However, things are not so simple. As a spokesman of the Waldensians in the Italian and international public spheres, Comba shared the same concern as Bert, Geymonat, and Muston. He, too, had to confront the relationship between the Italian nation and his church, and his weapon was again historical writings. The last section will investigate Comba's works on Italy's national past. However, we must first turn to his idea about contemporary Italy.
IV. Emilio Comba: Pastor and Historian Aspiring for Religious Reform
Emilio Comba was born in 1839 in San Germano Chisone, a small village in Piedmont, to a parish teacher. After completing his primary and middle school education in the Valleys, in 1859, young Emilio was sent to Oratoire Theologique in Geneva, which was one of the most important centers for the Réveil from the beginning of the nineteenth century. Like many other pastors of his generation, Comba welcomed its missionary spirit and emphasis on interior faith. During this Swiss period, he received long-term influence from three scholars: Alexandre Vinet (1797–1847), who advocated the principles of liberalism, particularly the separation of state and church; Edgar Quinet (1803–1875), a French exile and historian of religions who theorized the complementarity of political and religious revolutions; and Jean-Henri Merle d'Aubigne (1794–1872), a professor of Oratoire and a prominent historian of the Reformation, who invited Comba to conduct historical research.Footnote 47
Upon his return from Geneva in 1863, Comba embarked on his missionary career, serving in Perugia, Guastalla, and Brescia before being assigned to Venice in 1867.Footnote 48 His was a brief but not a tranquil enterprise. Uncompromising Comba often found himself in conflicts with local priests, including a bishop of Perugia, Gioacchino Pecci.Footnote 49 It was during such clashes that he began to compose polemical and scholarly writings.Footnote 50
In 1872, Comba was appointed professor of church history at the Waldensian Faculty of Theology in Florence by the Synod, and he subsequently withdrew from his missionary work, making historical research and public activities his primary focus. In the Florentine atmosphere, he made friends with some leading intellectuals of his age, including Pasquale Villari, Felice Tocco, and Raffaele Mariano.Footnote 51 Furthermore, as a representative of the Waldensian church, Comba interacted with other Protestant churches, sometimes on an international level.Footnote 52
However, it was toward promoting a “religious reform” of the Italian nation that Comba directed his greater effort.Footnote 53 Right after arriving in Florence, the new professor collaborated with two colleagues and founded the monthly journal Rivista Cristiana (1873–1887, 1893–1921), in which he published numerous articles, book reviews, and critiques on contemporary issues.Footnote 54 Although Comba sought the journal to be interconfessional and cosmopolitan and invited a wide range of submissions, the program, written in the name of editors but with the unmistakable color of Comba, delivered its nationalistic ambition in a ringing tone.Footnote 55
After the first moment of astonishment and rejoicing had passed, examining the building we had just completed with an attentive eye, many began to say that there were not just a few things inside to be renovated. Or, something like this: We have made Italy, now we must make Italians. Making Italians: This is the task for all those who want the nation to be great and strong. . . Our civil and political Risorgimento will be nothing more than the flower of the coat of arms or a wind running away, if a thorough reformation in customs, education, and discipline does not accompany it, and if we lack the strength to advance to moral greatness. . . It is from this twofold event, one divine and another human, of the moral liberty conquered for us on the Calvary and of the political liberty proclaimed from Campidoglio that the present generation must depart to acquire their greater good. . . Our purpose is indeed a positive one. In the face of the negations of a certain philosophy and Papism's prejudices and errors, the exposition of Christian truths will give rise to various apologetic and polemical writings.Footnote 56
As an enthusiastic admirer of Camillo Cavour, Comba willingly embraced the Italian nation-state and the principles of his moderate liberalism. However, what the Waldensian pastor envisioned as a nation was not secular solidarity. Despite the Réveil-originated comprehension of the Christian religion as an internal faith, Comba always assumed that the Italian nation should have a religious foundation; if not, its society would be destined to lack morality and fall into corruption, no matter how politically stable it seemed.Footnote 57 Based on this premise, Comba judged that unification alone was insufficient for Italy. During his mission, he saw how the Roman church's hegemony had deeply penetrated Italian society. Consequently, he concluded that it was imperative to eliminate this hegemony to realize a complete freedom of conscience of the Italian nation. Citing the famous phrase attributed to Massimo d'Azeglio, Comba declared that the ultimate goal of Risorgimento was a religious reform of the Italians and realizing such reform was inseparably connected to nation-building.
Comba drew inspiration for his vision of religious reform mainly from Edgar Quinet.Footnote 58 The French republican and historian of religions insisted in his works from the 1830s that the religious revolution always preceded the political one in the course of human progress; Quinet believed that the French revolution ultimately failed to realize true national liberty since it could not overthrow Roman Catholicism (as the Italians of the sixteenth century could not).Footnote 59 Comba took this idea of historical complementarity between the two revolutions, albeit in a different manner than the French scholar. Whereas Quinet delineated the history of religions as the development of liberty in the history of humanity, Comba remained confidently within Christianity. The Waldensian pastor was convinced that the reform would not establish a new religion but restore an original and pure religion of Christ.
As did Quinet, but from his Christian perspective, Comba always connected religious reform to history: it would be a historical event in both a “Christian and national” sense, on the one hand, and an end to be achieved through history, or historical past, on the other.Footnote 60 The article in 1887, “About the anticlerical movement in which it is shown how the love of our liberties obliges us to contemplate the necessity of religious reform,” which upheld the liberty of religion and conscience against some fanatical adversary of the Roman Church, demonstrated plainly his conviction.Footnote 61
Firstly, Comba placed his reform of the Italian nation within the universal history of Christianity. Like many early modern Protestant authors, he asserted that the original form of the religion of Christ was pure, simple, and based solely on the Bible; it was the Roman emperors and popes who distorted this authentic form by introducing superstitious doctrines and practices. Comba interpreted this process in terms of liberty, considering the persecution of paganism as the first deviance:
Christianization by violence had, in fact, the effect not of destroying the pagan errors at their roots, but of introducing them into the church. . . Theodosius, Charlemagne, two Fredericks, Napoleon, and more than them, the papal monarchy continued the old pagan tradition, which still threatens from time to time to submerge in its impure current the most beautiful water of liberalism.Footnote 62
Yet, the three events contributed to renovating Christianity, eliminating little by little pagan contamination: the Reformation, the French Revolution, and the Risorgimento. “Where is the seed of our liberty? It is in the Gospel of Christ. And the tree? The Reformation. And the branch from which we pick it? The French Revolution. Who among us first extended his hand and presented it in the form of laws to our generation? Count Camillo Cavour.”Footnote 63 For the Waldensian pastor, a causal link existed between them. In such an account, the coming religious reform in Italy would assume both a national and somewhat eschatological role, fulfilling the original Gospel teachings and the national Risorgimento at the same time.
Secondly, Comba assigned the historical past an essential role in realizing a religious reform of the nation—providing educational examples. For him, “making Italians signified educating them.”Footnote 64 However, as noted above, the Waldensian pastor rejected any coercive means in religious policy, even those against the Roman church; he opposed public education should engage with religious matters.Footnote 65 “The State is not atheist; the State is separate from the Church; therefore, it declares itself incapable of teaching religious matters. That is all.”Footnote 66 He believed any violent oppression or imposition was contrary to both the Gospel and the principle of liberalism. Therefore, the only way to promote religious reform was through education via history. The past offered examples. “Examples are the first and indispensable lesson of morals. They are the morals in action.”Footnote 67
On various occasions, Comba manifested his attitude toward the past, Historia magistra vitae. His first article on Rivista cristiana in 1873, which presented a sixteenth-century reformer, opened by emphasizing that honoring the memory of their martyrs was a duty for every civilized people.Footnote 68 His first general work on the Reform movements in Italy, Storia della Riforma in Italia (1881), expressed the same concern. Highlighting contemporary interest for “posing a new foundation to commune education,” it declared, “history can be a teacher of life: who narrates it does the work of faith and science at the same time.”Footnote 69
As a matter of fact, Comba was far from alone in advocating such a vision of reform. Many of his contemporaries shared his judgment on contemporary society and accused the Roman church of being responsible for Italy's moral decadence. According to widespread cliché, it was the absence or failure of the Reformation in the sixteenth century that delayed the modernization of Mediterranean countries; the Counter-Reformation increased only clerical control on society and deprived the Catholic nations of its vitality.Footnote 70 Furthermore, the 1864 Syllabus, which condemned liberalism, separation of church and state, and freedom of religion with many other “modern” principles, and the First Vatican Council led even moderate thinkers to conclude that Roman church had lost its historical role.Footnote 71 Therefore, intellectuals of liberal Italy sought an alternative to Catholicism that could serve as a new basis for national unity: some turned their eyes to idealistic philosophies, and others looked to Protestant churches.
For advocates of religious reform in Italy, separating the national past from the Roman church was of vital importance. For one thing, they had to counter some protestant scholars who boasted the superiority of their nation for cultivating the Reformation. For another, they looked up to the past dissenters as forerunners of their own attempts. Pasquale Villari worked on Savonarola together with the Florentine Neo-Piagnoni; Bertrando Spaventa, a leader of the Neapolitan Hegelians, on Bruno and Campanella; his student and Neo-Kantian Felice Tocco on medieval heretics and again on Bruno; Piero Guicciardini collected a vast amount of historical documents concerning the sixteenth-century reformers.Footnote 72
However, Comba's vision and historiography still occupied a unique position in this milieu, where the hopes for religious reform and historical research were strongly interconnected. Instead of finding a turning point in the national past, Comba sought to present continuity in the history of the Italian nation: the continuity based on its inherent and permanent Christian character. While Quinet and some Neapolitan philosophers emphasized the historical significance of the Renaissance as an awakening of reason and individuality, Comba expressed certain reservations about it.Footnote 73 He believed that although the Renaissance brought about the necessary condition of the Reformation, it was reborn of pagan culture associated with the corruption of the papacy; moreover, the Italian nation demonstrated its genius even before. The last section will show how Comba's vision and discourse were interconnected with the historiographical framework constructed within the early modern Protestant networks.
V. From Confessional Myth to National History
Emilio Comba became involved in historical research while working in Venice. In 1867, the archive at Fluri opened to the public, and there Comba encountered the records of the Roman Inquisition, which contained numerous traits of the “reformers” persecuted as heretics in early modern Veneto. Throughout his life, the Waldensian pastor worked on editing and publishing those documents, some of which resulted in eight volumes of “Library of the Reformation in Italy: A collection of the evangelical writings in the sixteenth century.”Footnote 74 Also, Comba worked on the history of Waldensians, as noted in section II. Here, we will limit our analysis to his two major works on Italian Reformations: Storia della Riforma in Italia (1881) and I nostri protestanti (1895/1897).
In both works, Comba employed the concept of “Reform” and “Protestants” in a broader sense, extending their application beyond the sixteenth-century movements. Storia, planned as the first volume of a projected series, covered the history of Christianity in Italy only up to the fifteenth century, portraying it as a constant conflict between good and evil, or popes and reformers. Comba began his story from the acceptance of Christianity in the eternal capital of the Empire. He described how the early bishops of Rome, striving to establish a stable and united community, incorporated too much of the Roman tradition into the Religion.Footnote 75 Since the eternal city lacked elect people who could read and understand the Bible, the bishops were unable to preserve the original form of the Religion. Instead, “the concept of the Christian religion Romans formed was quickly adulterated, both by the influence of Judaism and the effect of political traditions.”Footnote 76 Christian Emperors accelerated this trend and brought about further corruption: emerged penances, indulgences, purgatory, suffrages for the dead, monastic orders, and all things foreign to the original Religion.Footnote 77 Following such a vision, the Waldensian historian recounted ongoing transformations of the Roman church and the contestation arising in each period. Obviously, for him, the latter represented reform movements in Italy and “the most beautiful current of our Christian tradition.”Footnote 78 Reformers all preserved the purest form of the Christian religion, immune to the novelty introduced by successive popes. Here, like early modern Protestant historians, Comba exalted their faith in negative terms.
It is striking that in Storia, Comba focused on the historical development of the Roman papacy instead of the succession of reformers. Indeed, he considered each resistance to the papacy as a reaction to its metamorphosis and therefore offered no unifying factor for his reformers, except their adherence to the Gospel. Although all of them opposed the papacy, they fought different battles in each case, as he repeatedly maintained. Consequently, Comba had no choice but to describe the development of the papacy as the driving force of history. Paradoxically, in terms of its subject and narrative structure, this work resembles, much more than the traditional Waldensian historiography, Cesare Cantù's Gli Eretici d'Italia (The Heretics of Italy, 1865–1866), which chronicled the history of Italy as a process of overcoming heresy by the papacy.Footnote 79 Presumably, this unintended similarity was one of the reasons Comba did not publish the announced subsequent volume.
Comba proposed a solution to this dilemma in I nostri protestanti, for which he projected three volumes.Footnote 80 Even though his sudden death in 1904 left the final volume incomplete, fortunately, the two published books sufficiently conveyed his historical vision.
In the fifteen years separating the two works, the prospect of Italy becoming Protestant was diminishing: the heroic era of missionaries came to an end; almost all leaders and parliamentary representatives of Italian Protestantism had gradually passed away; additionally, under Pope Leo XIII the Roman church began to regain lost ground.Footnote 81 At the ninth International Conference of the Evangelical Alliance held in Florence in 1891, Comba and other protestant pastors had to admit the general failure of their mission.Footnote 82 He reiterated his lament in the introduction of the first volume of I nostri protestanti, writing that the current situation did not reach the promise held by the French Revolution and Risorgimento.Footnote 83
Still, Comba remained committed to his conviction that the Italian nation had an inherent protestant nature. While he pretended to continue his “voluminous and a little outdated” Storia, the new work primarily reflected sense of urgency rather than advancements in his research.
The work consists of a series of biographies of those whom he referred to as “Our Protestants.” The chapters of volume I were dedicated to Hermas (The unspecified author of The Shepherd of Hermas); Hippolytus of Rome (c. 170–c. 235)Footnote 84; Novatian (c. 200–258)Footnote 85; Jovinian (active at the end of the fourth century)Footnote 86; Claudius of Turin; Arnold of Brescia (c. 1090–1155)Footnote 87; Valdesius; Joachim of Fiore (1135–1202)Footnote 88; Dolcino of Novara (active between 1300–1307)Footnote 89; Dante Alighieri (1265–1321); Marsilius of Padua (c. 1275–c.1340), and Girolamo Savonarola (1452–1498). Volume II focused on the early modern reformers in the Veneto regionFootnote 90: Girolamo Galateo (c. 1490–1541)Footnote 91; Bartolomeo Fonzio (c. 1502–1562)Footnote 92; Antonio Brucioli (c. 1498–1566)Footnote 93; Giulio della Rovere (1504–1581)Footnote 94; Baldassare Altieri (died c. 1550)Footnote 95; Pietro Speziali (1478–1554)Footnote 96; Francesco Spiera (1502–1548)Footnote 97; Francesco Negri (1500–1563)Footnote 98; Baldo Lupetino (1502/3–1556)Footnote 99; Matthias Flacius Illyricus (1520–1575); Pier Paolo Vergerio (1500–1565)Footnote 100; Tiziano (active in the sixteenth century)Footnote 101; Francesco della Sega (died in 1565)Footnote 102; Giulio Gherlandi (died in 1562)Footnote 103; Antonio Rizzetto (died in 1565);Footnote 104 and Fedele Vigo (active in the sixteenth century).Footnote 105 The third should have concerned reformers in the modern period.
In I nostri protestanti, Comba offered a history of Italy in a manner that we may call Manichean. He opened the first volume with a provocative question: is Italy pagan or Christian? And he replied to himself: both, it had both characters.Footnote 106 Italy was pagan as well as Christian, and these two aspects continued to compete against each other. In Comba's discourses, pagan Italy referred not only to the Roman Empire or popular culture but also to the papacy, which inherited many non-Christian practices from the pagan culture: those elements alien to the original Religion of Christ constantly grew within the Roman church, transforming it into the representative of the pagan aspect of Italy.Footnote 107 However, Italy never lacked its Christian heroes, who continuously contested the papacy, delivering the pure Gospel of Christ.
Against the legend of the papal apostolic tradition, a tradition of free martyrs who passed on the living light in the nighttime was formed. “Like relay runners, they carried the living light.” They were not bound to one another like a chain. Rather, when we see that “when one is defeated, the others soon follow,” we are inclined to believe that there was a spiritual lineage. They have existed at every point in Italian history: in ancient times against the emerging papacy, in the Middle Ages against the megalomaniacal papacy, and in modern times against the corrupting papacy. The seeds they sow will blossom. Because of their example, faith in the truth will never die.Footnote 108
Here, Comba managed to provide a historical substance to the successive opponents of the papacy by identifying them as a Christian part of the Italian nation. In fact, the definition Comba gave to their religion hardly changed: he described them as pure, simple, faithful to the Gospel, and immune to pagan contamination; as far as antiquity and the Middle Ages were concerned, Storia and I nostri protestanti often discussed the same reformers. However, by ensuring their historical continuity in the form of national genealogy, Comba led his Protestants to acquire a genealogical linkage without needing to invent any direct relationship or mutual influence between them, and these heroes guaranteed in turn the historical continuity of the Italian nation with its Protestant element. In such an arrangement, the nation and its Protestants relied on each other in boasting of their long-standing existence.
We will readily recognize that Comba was recasting here the genealogy of the Protestant-Waldensian church, a product of the early modern confessional conflicts, into the national history of Christian Italy. As a predecessor of his endeavor, he named Mathius Flacius Illiricus and his Catalogus testium veritatis. Footnote 109 Like this famous precedent and many other Waldensian historians, Comba consistently emphasized how his protagonists defended the Religion of Christ against the tyrannical papacy. When the Roman church introduced some pagan or artificially invented practices, they refuted those novelties, bearing persecutions and sometimes suffering martyrdom. They proved the existence of the true Christian religion prior to Luther. Moreover, Comba's list included many familiar figures in early modern Waldensian canons, such as Claudius, Arnold, Valdesius, and Savonarola.
Still, the national genealogy of I nostri protestanti was far from a mere reproduction of the early modern Waldensian historiography: in his attempt to transform a confessional narrative into a national one, Comba substantially modified the composition of the traditional Waldensian catalog. He removed some recurring characters such as Berengar of Tour, Peter of Bruis, Henry of Toulouse, Wycliff with Lollards, and Huss while inserting new figures on their behalf: Dante, Marsilius, Dolcino, and many reformers in the sixteenth century, including Anabaptists and antitrinitarians.
To recast the genealogy, Comba appeared to employ two criteria for selection: the opposition to the papacy and the presumed belonging to the Italian nation as a territorial community. As for the former, we have already noted that Comba adopted a broader definition of Protestant, accenting that the Italian protests had anteceded the Diet of Speyer.Footnote 110 Such understandings allowed him to include various figures in his list, from religious dissenters in the modern sense to unconventional thinkers and the political enemy of Rome. Comba himself acknowledged this too-comprehensive nature of his approach:
We must not emphasize their secondary motives or purposes, though we wish to consider the variety of characters and circumstances: it will result in a genial variety rather than the freedom they aspire to. We forewarn our readers so that they will not be left surprised when they see next to the old Catholic, as we would say today, appear here the evangelical, there the free thinker, and the patriot . . . Our Protestants, however dissimilar they may appear and be and even discordant among them, contribute some more, some less, but all, to the progressive affirmation and the reign of truth, which cannot be, nor ever will be the monopoly of any sect.Footnote 111
Another benchmark by which Comba chose his Protestants was their being “Italian.” He excluded from his list individuals who were not born in Italy or whose life was not centered on the peninsula. Of course, Comba did not eliminate them from his history and sometimes mentioned them as background actors. Peter of Bruys, Henry of Toulouse, and Huss, too, conveyed the truth of the Christian religion: however, it was not for Italy. There was no place for them in Comba's national genealogy of Protestants. His only exception in this regard was something that makes us smile: Valdesius of Lyon.Footnote 112 With this reorganization of the composition, Comba succeeded in presenting the genealogy not simply of church reformers but of Italy as a Protestant nation:
Let us thank God that Italy had its own protestants. Its own, we say, because while some are Italians by birth, others became Italians by assimilation and adoption; its own, or our Protestants in front of those foreign ones. The proper characteristics they have must not be confused, even in the century of the Reformation and how much it is believed, with the spirit and the manifestations of the protest born and diffused under other skies.Footnote 113
As far as the definition of Italianness was concerned, Comba remained hardly original: as alluded to above, he imagined the Italian nation as a territorial community. Although he reserved the possibility of naturalization through assimilation or aspiration, he gave it a close connection to a physically defined space and its culture. On this point, it is significant that he included some figures born in the so-called Italia irredenta: Baldo Lupetino was born in Labin (Albona in Italian) and was a bilingual speaker of Italian and Chakavian. His nephew, Matthias Flacius Illyricus, or Matija Vlačić Ilirik, too, was of Labinian origin and known for his activities in the Empire; Pier Paolo Vergerio was born in Kopel (Capodistria) and promoted the translation of the Bible into the south Slavic languages. They all could be heroes of nations other than Italy. By including them in his genealogy, Comba followed not the reality of the early modern multiethnic situation but the logic of nationalism.
In his discourse, Comba provided no conceptual intermediary between a territorial nation and the universal Christian religion. He found no incompatibility between them: indeed, the Waldensian historian identified no specifically Italian element in the religion of his Protestants, supposing their common traits in a struggle with the papacy and the purity of the faith. Nevertheless, he repeatedly professed that the Italian Protestants revealed a unique national character in some way, which distinguished them from German or French protestants. Even though he acknowledged the existence of protestants of other nations, his writings reiterated that the religion of Christ was an essential element of the Italian nation and that the religious reform of Italy would take place within the universal history of Christianity in such a manner to imply the religion of Christ itself as something Italian.
All of these, at first glance, seem confusing to us. In historical discourses, Comba intertwined Christianity and the Italian nation to such an extent that it becomes difficult to discern between them. Is this a result of an excessive use of rhetoric or a sign of inaccuracy of thought?
In my view, it would be appropriate to not blame Comba for self-contradiction or confusion. Instead, we should take this ambiguity as proof of the profound influence of the preceding intellectual frameworks on him; again, Comba echoed the voice of the early modern Waldensians. Two centuries earlier, Léger aligned in his discourse the Waldensian community with the Christian religion: the former, for him, was territorial since it consisted of people living in a specific area, while the latter was universal. Nevertheless, Léger put the latter's universality at the core of the former's identity. Comba expressed the same duality in his writings, presenting the religious reform of the Italian nation as fulfilling a providential role in the history of Christianity, and the national heroes of Italy as assuming a Christian character. Despite his adherence to the Réveil theology and liberal nationalism, Comba inherited from his ancestors a sense of community, historical imagination, and a structure of narrative on them.
Indeed, by envisioning the Italian nation as both a religious and territorial community and presenting its past in a genealogical form, Comba proposed a model of the nation a bit similar to the Waldensian church. He claimed that Italy preserved the true Christian character from antiquity, wrote a genealogical history of its Protestants, and depicted it like a territorially defined community—as Morland, Léger, Boyer, Brez, Muston, and Bert all did for the Waldensian church. Although Waldensian missionaries never achieved aspired conversion of the peninsula, Comba's work converted its historical past. He did not only embody the “nationalization” and “Italianization” of the Waldensians: more importantly, in his discourse, Comba had “Waldensianized” the Italian nation.
VI. Conclusion
In liberal Italy, when the government and intellectuals continuously made an effort to “make Italians,” Waldensian pastor Emilio Comba participated in this endeavor with an early modern confessional legacy. This does not mean that he was a person with a conventional mind. We should not forget that Comba was the first Waldensian intellectual who admitted that their ancient origin was nothing but fictional; being an adherent to both liberalism and evangelicalism, he developed his thought in terms of the nation and the religion of Christ as an internal faith, not in terms of the Waldensian church. Nevertheless, despite his positivistic approach in historical research, he continued to see history as magistra vitae, entrusting it with both educational and commemorative functions. Moreover, Comba appropriated the early modern confessional framework of the past in his national history, recasting the Waldensian genealogy into a history of Italian Protestants. With these reuses of the early modern intellectual capitals, Comba allowed his Italian nation and religious reform to assume universal and individual qualities.Footnote 114
In his seminal work on Risorgimento, Alberto Mario Banti pointed out that the idea of the nation in modern Italy derived its appeal from preexisting narratives or symbols.Footnote 115 However, what Comba did was somewhat different from what Banti envisaged in his thesis. By presenting the Italian nation within a confessional framework, the Waldensian historian preserved an explicit Christian connotation so that the nationalization of historical imagination signified the Christianization of the national past. His religious reform would have its place both in universal-Christian and national history. Comba's case would give some reservation to the view that regards the religious nature of nationalism as a de-Christianized secular religion.Footnote 116
Finally, it is worth suggesting a broader context in which we could situate Comba's enterprises. Yves Krumenacker and Wenjing Wang revealed that in the third republic, memories of Albigenses and Waldenses served as symbol capitals in the construction of a national history of France—not for highlighting the Protestant past of the French nation but for presenting the Reformation as a French product.Footnote 117 After the defeat of 1870, French Protestants could not be patient that the Protestant Reformation was of German origin and invented the French Reformation tradition from Valdesius and Cathars to Huguenots, relying on the Protestant genealogical historiography of which the Waldensian myths occupied an important part.Footnote 118 This implies that the same historiographical framework could have been transformed into different national histories, with different compositions and presumed roles: the nineteenth-century Protestants exploited their common intellectual capitals inherited from their early modern ancestors, but in their own mode and according to each purpose. Recent studies on the fortune of John Foxe’ Book of Martyrs in the modern ages have demonstrated a similar phenomenon.Footnote 119 Historical visions constructed in the midst of confessional conflicts and presented in a perspective of the universal or individual churches were not simply overcome by scientific historiography in the modern period. Instead, they could be read, re-interpreted, and re-proposed within a new framework of nation.
Acknowledgement
This article has been presented in various forms at the Young Researcher Meeting at the Waseda Institute for the Study of Nationalism and Ethnicity (September 18, 2021), the 9th meeting of the Historiology-Association (September 23, 2021), and the 344th meeting of the Associazione giapponese per lo studio della storia italiana moderna e contemporanea. I would like to express my gratitude to the participants and discussants, especially Satoshi Koyama, Tomoji Odori, Yuichiro Hayashi, Maiko Yoshida, Genki Okuda, Mayuko Uno, and Tatsuya Nakazawa. A special thanks goes out to Yutaka Arita and all the staff of Centro culturale Valdese for their generous assistance and advice. Finally, I would like to acknowledge the continued support and encouragement of my supervisors, Takashi Jinno and Isabella Gagliardi, in my historiographical research.