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Upper Egyptian iconography early on equates warfare and hunting as corresponding, ritualised displays of the triumph of order over chaos. Within rituals, displays of physical prowess may represent military activity, and within the realm of actual warfare the subjugation of foreigners may take the form of ritual execrations and the ritualised display of both living and deceased enemies. In the practice of war the Egyptians emphasised manoeuvre over the clash of a shield wall, and captured enemies appear on the whole to have been given a route to acculturation through service to the pharaonic state. Literary sources reveal the use of epistolary taunts in addition to physical violence. As part of the Egyptian concept of the enemy as the opposite of Egypt and order, foreign women tend to appear in a more positive light than do male enemies, and no evidence appears for sexual violence as an element of sanctioned warfare.
This book presents a wide range of new research on many aspects of naval strategy in the early modern and modern periods. Among the themes covered are the problems of naval manpower, the nature of naval leadership and naval officers, intelligence, naval training and education, and strategic thinking and planning. The book is notable for giving extensive consideration to navies other than those ofBritain, its empire and the United States. It explores a number of fascinating subjects including how financial difficulties frustrated the attempts by Louis XIV's ministers to build a strong navy; how the absence of centralised power in the Dutch Republic had important consequences for Dutch naval power; how Hitler's relationship with his admirals severely affected German naval strategy during the Second World War; and many more besides. The book is a Festschrift in honour of John B. Hattendorf, for more than thirty years Ernest J. King Professor of Maritime History at the US Naval War College and an influential figure in naval affairs worldwide.
N.A.M. Rodger is Senior Research Fellow at All Souls College, Oxford.
J. Ross Dancy is Assistant Professor of Military History at Sam Houston State University.
Benjamin Darnell is a D.Phil. candidate at New College, Oxford.
Evan Wilson is Caird Senior Research Fellow at the National Maritime Museum, Greenwich.
Contributors: Tim Benbow, Peter John Brobst, Jaap R. Bruijn, Olivier Chaline, J. Ross Dancy, Benjamin Darnell, James Goldrick, Agustín Guimerá, Paul Kennedy, Keizo Kitagawa, Roger Knight, Andrew D. Lambert, George C. Peden, Carla Rahn Phillips, Werner Rahn, Paul M. Ramsey, Duncan Redford, N.A.M. Rodger, Jakob Seerup, Matthew S. Seligmann, Geoffrey Till, Evan Wilson
Long doubted, the existence of Pleistocene rock art in North Africa is here proven through the dating of petroglyph panels displaying aurochs and other animals at Qurta in the Upper Egyptian Nile Valley. The method used was optically stimulated luminescence (OSL) applied to deposits of wind-blown sediment covering the images. This gave a minimum age of ~15 000 calendar years making the rock engravings at Qurta the oldest so far found in North Africa.
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