12 results
Inside Llewyn Davis. Written, directed, produced, and edited by Joel and Ethan Coen (2013), 105 minutes. Paris: StudioCanal; London: Anton Capital Entertainment; New York: Scott Rudin Productions, Mike Zoss Productions.
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- Journal:
- Yearbook for Traditional Music / Volume 52 / November 2020
- Published online by Cambridge University Press:
- 18 December 2020, pp. 246-249
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- November 2020
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27 - Working in the Cool Capitalism Complex: The Role of Critics in the World Music Field
- from Part V - New Areas
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- The Cambridge History of Music Criticism
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- 21 August 2019
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- 29 August 2019, pp 527-541
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9 - Music on the move, as object, as commodity
- from Part II - Culture and Connections
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- The Cambridge World History
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- 05 May 2015
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- 16 April 2015, pp 205-224
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Contributors
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- Historical Legacies of Communism in Russia and Eastern Europe
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- 05 July 2014
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- 07 July 2014, pp vii-viii
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30 - Globalized new capitalism and the commodification of taste
- from Part X - Musical ontologies of globalization
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- The Cambridge History of World Music
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- 05 December 2013
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- 12 December 2013, pp 744-764
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Contributors
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- The Cambridge History of World Music
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- 05 December 2013
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- 12 December 2013, pp xv-xxiii
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Contributors
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- The Cambridge Dictionary of Christianity
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- 05 August 2012
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- 20 September 2010, pp xi-xliv
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Global Repertoires: Popular Music within and beyond the Transnational Music Industry. Edited by Andreas Gebesmair and Alfred Smudits. Aldershot, UK, and Burlington, Vermont: Ashgate, 2001. xi + 176 pp. The Unbroken Circle: Tradition and Innovation in the Music of Ry Cooder and Taj Mahal. By Fred Metting. Lanham, Maryland and London: Scarecrow Press, 2001. xviii + 293 pp.
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- Journal:
- Popular Music / Volume 22 / Issue 1 / January 2003
- Published online by Cambridge University Press:
- 10 March 2003, pp. 109-116
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- January 2003
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Veit Erlmann. Music, Modernity, and the Global Imagination: South Africa and the West. New York and Oxford: Oxford University Press, 1999. viii, 312 pp., notes, index, photos, musical examples.
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- Yearbook for Traditional Music / Volume 32 / 2000
- Published online by Cambridge University Press:
- 07 March 2019, pp. 212-213
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- 2000
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‘Fair use isn't fair’: a response to Sheila Whiteley
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- Popular Music / Volume 17 / Issue 1 / January 1998
- Published online by Cambridge University Press:
- 11 November 2008, pp. 129-132
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- January 1998
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E Zezi — Gruppo Operaio (The Workers’ Group)/Pummarola Black. Annotations edited from notes by Gianfranco Capitta. Lyricord LYRCD-7426. CD with 3 pages of notes in English. No bibliography. 10 tracks recorded in the studio. 48'19. 1995.
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- Journal:
- Yearbook for Traditional Music / Volume 30 / 1998
- Published online by Cambridge University Press:
- 07 March 2019, p. 211
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- 1998
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His name was in lights: Chuck Berry's ‘Johnny B. Goode’
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- Popular Music / Volume 11 / Issue 1 / January 1992
- Published online by Cambridge University Press:
- 11 November 2008, pp. 27-40
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- January 1992
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