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This chapter discusses the collaboratively written Sir Thomas More in the context of Catholic outrage over the breakdown of the Elizabethan policy of outward conformity in the 1580s and 1590s and the various means by which the Elizabethan regime made windows into men’s hearts in the late sixteenth century, including espionage, oaths, and torture. The play’s insistent Senecan intertext, which revolves around questions of silence and treason, thus becomes legible in relation to late Elizabethan legislative developments that served to penalise silence in matters of religion. As this chapter argues, the play’s biographical treatment of the famous Catholic martyr, who never specifies the convictions for which he is executed, thus reflects the predicament of Elizabethan Catholic loyalists, such as Anthony Browne, first Viscount of Montague, who were concerned with maintaining an increasingly untenable sphere of silence as a middle ground between truth and dissimulation.
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