This chapter presents a new, annotated translation (approximating English pentameters) of the anonymous iambic poem sometimes called (without any evidence) ‘Pseudo-Skymnos’ but here ‘the Nikomedean Periodos’ (127/6–74 BC). The surviving, first part of the poem, whose ‘journey’ is arranged clockwise from the western Mediterranean, takes us a little way into the Black Sea. For the next part, dealing with the Black Sea, we have 38 fragments, all but one of which are from the Pseudo-Arrianic Circumnavigation of the Black Sea (Chapter 36 of this volume). Of the remainder we have no trace. The chapter introduction revisits the controversy about the identity of the poem’s author: possibly Apollodoros of Athens, though that suggestion is less secure than has been thought (despite the claimed reading of Apollodoros’ name in a damaged passage of the manuscript); possibly the otherwise unknown Pausanias of Damascus (if he existed). The poem, dedicated to a king Nikomedes of Bithynia, displays the influence of Ephoros and Eratosthenes, as well as responding to Homer. Though innovative, the work had little influence (though the late antique Euxine, Chapter 36 below, repeatedly quotes from it) but remains an important source for scholars investigating Greek colonial foundations in the West. A new map indicates the ‘route’ followed in the poem.

This chapter presents a new, annotated translation of the Ora maritima, a poem in Latin iambics preserved incompletely under the name of Avienus (or rather Avienius), who can be identified with a Roman aristocrat of the mid-4th century AD. The translation approximates a metrical form. The extant portion of the poem describes the coast from Brittany to Massalia, citing early sources (not necessarily consulted at first hand) including Himilco of Carthage. The chapter introduction examines the identification of the author with a known aristocrat, and sees the Ora as part of a systematic exposition of the earth, sea, and heavens; it is, furthermore, not a translation but a development of the available material. Avienus adds observations from his reading, or in one place from autopsy, but seems usually to be working off one earlier source, perhaps Apollodoros of Athens (2nd century BC) or the archaic ‘Massaliote periplous’ whose existence has been deduced. If this be the case, the poem preserves valuable knowledge of the Atlantic coasts in early times. A new map shows the principal locations in Iberia that are named in the poem.