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In his popular novel, Kürk Mantolu Madonna (Madonna in a Fur Coat), which was first published in Istanbul in 1943, Sabahattin Ali wrote that “for some reason or other people prefer to investigate what they feel sure they will find. It is without doubt easier to find a brave man to descend to the bottom of a well where it is known that a dragon lives than to find a man who will show the courage to descend into a well about the bottom of which nothing is known.”1 This view applies nicely to research into nations and nationalisms, for the bottom of the well is already known: the Ottoman Empire collapsed and was replaced by new nation-states. This collapse has often been taken as the “inevitable” triumph of nation-state over empire, the victory of national identities over other identity constructions.
This chapter gives an overview of the book in how it deals with dignity in the 2011 Egyptian Revolution in the context of the Arab Uprisings. Dignity or karama in Arabic is a nebulous concept that challenges us to reflect about various issues such as identity, human rights, and faith. This chapter shows that the research to write this book was prompted by the complexity of dignity demands at a time when the region of North Africa and the Middle East was drifting in the socio-political event of the “Arab Spring” or Arab Uprisings. The main motivation in the research was to investigate understandings of karama in the specific context of Egypt during the 2011 protests. To do so, the focus was on interviews with participants in the 2011 protests and analysis of art forms that emerged during protests and in which there was an explicit expression of dignity/lack of dignity. The chapter presents the argument and contribution of the book, the importance of terminology and layers of meanings, and finally the wider context for dignity slogans. The chapter ends by presenting the book structure and the thematic chapters.
This chapter is not a thematic one, but a general review of the main findings from the different themes and an analysis of the suggested framing of “dignition,” which is a demand for dignity recognition. The chapter begins by showing the language dimension in articulating political demands to see how protesters may use a form of dignition at a particular time and for particular needs. The chapter presents the suggestion of dignition as one linked to dynamics of revolutionary change and populist demands. Then, the chapter looks at how discussions of identity in the Arab and Egyptian contexts have political drivers particularly in the processes of modernizing Arab states after the colonial period. This leads to emotional discussions of articulating the demand of dignity which reveals issues of identity for protesters. Lastly, the chapter exposes the dynamics of modernity and development in the context of accelerated globalization, which increase the precarity of dignity perceptions.
Dignity, or karama in Arabic, is a nebulous concept that challenges us to reflect on issues such as identity, human rights, and faith. During the Arab uprisings of 2010 and 2011, Egyptians that participated in these uprisings frequently used the concept of dignity as a way to underscore their opposition to the Mubarak regime. Protesting against the indignity of the poverty, lack of freedom and social justice, the idea of karama gained salience in Egyptian cinema, popular literature, street art, music, social media and protest banners, slogans and literature. Based on interviews with participants in the 2011 protests and analysis of the art forms that emerged during protests, Zaynab El Bernoussi explores understandings of the concept of dignity, showing how protestors conceived of this concept in their organisation of protest and uprising, and their memories of karama in the aftermath of the protests, revisiting these claims in the years subsequent to the uprising.
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