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How did Britain's most prominent armaments firms, Armstrongs and Vickers, build their businesses and sell armaments in Britain and overseas from 1855 to 1955? Joanna Spear presents a comparative analysis of these firms and considers the relationships they built with the British Government and foreign states. She reveals how the firms developed and utilized independent domestic strategies and foreign policies against the backdrop of imperial expansion and the two world wars. Using extensive new research, this study examines the challenges the two firms faced in making domestic and international sales including the British Government's commitment to laissez faire policies, prejudices within the British elite against those in trade, and departmental resistance to dealing with private firms. It shows the suite of strategies and tactics that the firms developed to overcome these obstacles to selling arms at home and abroad and how they built enduring relationships with states in Latin America, Asia, and the Middle East.
Discusses the selection of Armstrongs and Vickers for this study, and the availability of rich archival sources. Provides an overview of the relationship between the British state and armament firms over 1855 to 1955. Records a gradual shift from the government and firms being independent of each other to becoming interdependent. Discusses Katherine Epstein’s assertion in Torpedo that there has been a British Military Industrial Complex since the 19th Century. Considers works from David Edgerton and Edward Packard making a similar case for the inter-war period. Considers the contemporary critiques of the armaments trade, which focused on the independence of armament firm “merchants of death,” rather than identifying collusive relationships with the British state. The chapter then lays out a framework for assessing the independence and power of Armstrongs and Vickers in their relationship with the British Government. Establishes six propositions about the firms’ power and independence that are tested through the book.
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