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Adam Roberts identifies the opposition between plain and excessive styles as a distinguishing feature in the history of science fiction. The chapter considers the rival origins of the genre in Verne and Wells and offers a comprehensive survey of twentieth- and twenty-first-century traditions. Roberts tracks the history of a pared-down, plain style that often runs counter to the excess and scientific detail of the content and sets it alongside a competing, more ambitious, ‘literary’ prose style that has increasingly come into the ascendancy.
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