At the turn of the century, Azeri intellectuals embraced their unique position at the intersection of the Russian, Ottoman, and Iranian Empires by taking on the self-appointed role trans-imperial reformers. Moving with relative ease from Baku to Istanbul, Tabriz, Tehran, Bukhara, and beyond, Azeri reformist intellectuals were neither insular nor modest in their aspirations as they promoted social and cultural reform. This article explores Azeri efforts to promote their vision of progress to fellow Muslims in Iran and Central Asia through the most radical genre of cultural expression embraced by Azeri intellectuals: the theater. Using indigenous language sources to focus on these activities, this article demonstrates the far-reaching influence of Azeri cultural productions and the expansive ambitions of Azeri reformist intellectuals.
