In 1962, the critic Philip Hobsbaum arrived in Belfast to take up a teaching position in the English Department at Queen’s University. He came with an impressive array of literary connections. At Cambridge, he had studied with F.R. Leavis, edited the literary magazine delta, and befriended Ted Hughes. Later, in London, he chaired a weekly writing group, dubbed 'the Group', whose members included Edward Lucie-Smith, Alan Brownjohn, George MacBeth, Ted Hughes, Peter Redgrove, David Wevill and Peter Porter, among others. These were some of the most prominent young poets and critics in England; such contacts would prove valuable when Hobsbaum convened another literary group in Belfast, where he assembled equally talented, if less confident, young writers. This chapter explores the connections between British and Northern Irish poetry in the early 1960s, and argues that the 'Belfast Group' was a crucial launching pad for the fledgling Belfast poetry scene and the success of one Belfast poet in particular: Seamus Heaney.

Seamus Heaney used his Dublin attic for most of his mature writing years as both a writing space and a warehouse. The poet’s correspondence was acquired in 2003 by the Stuart A. Rose Manuscript, Archives and Rare Book Library at Emory University. His journals and drafts of published works were donated to the National Library of Ireland in 2011. The Heaney archives are a treasure trove of historical and literary documents that have the power to re-energize, refocus and resituate Heaney studies around the world. The theoretical implications and critical potential of the archival materials become clear when one traces the paper-trail of the archives from the pre-natal attic to the postmortem reading room and into the afterlife of textual studies.