The ‘Sidney psalter’ has attracted critical attention for the extraordinary metrical versatility displayed by Philip and (mostly) Mary Sidney in their complete set of psalm paraphrases in English. Ithas not however been discussed in the context of the neo-Latin metrical usage and experiment of the latter sixteenth century described in Chapter 2, although the Sidney psalter precisely reproduces in English the literary achievement in Latin of the major Protestant psalm paraphrases by George Buchanan and Theodore de Bèze (Beza). Of great devotional and literary importance for Protestants throughout Europe, these two collections were recognized immediately by contemporaries for their literary achievement, and Buchanan’s, in particular, was routinely cited until well into the eighteenth century. Taken together, they are crucial landmarks in the development of a Protestant Latin poetics, combining the literary achievement of humanism with a distinctively Protestant emphasis upon the literal meaning of the Hebrew Bible. This chapter describes theachievement and influence of these Latin works and sets out the evidence for their direct influence upon Mary Sidney in particular.

The debate about prosody in English, focused in particular upon the decorum of rhyme and the role of quantitative metrics, is a well-known feature of late Elizabethan literary criticism. But the intense interest in metrical matters at this period sits within, and emerges from, a geographically wider and chronologically precedent Latin phenomenon which has not been described. Vernacular poets engaged deeply with metrical questions because the contemporary use of Latin metre underwent very rapid change in the second half of the sixteenth century.Although it has passed almost unnoticed by scholarship, metrical creativity is one of the most astonishing features of the Latin poetry of this period. We cannot begin to appreciate the literary excitement caused by this poetry – and by its vernacular imitations, such as the remarkable metrical display of the Sidney psalter and Herbert's "Temple" – without understanding something of the music of Latin metre, and of the pace of Latin metrical innovation. This chapter offers a ‘big picture’ overview of Latin metrical innovation and experiment, as it reached and was received and taught in England, in the latter half of the sixteenth century