This article explores a meshwork of citations to other material cultures and architectures created by the form and ornament of house-shaped early medieval recumbent stone monuments popularly known in Britain as ‘hogbacks’. In addition to citing the form and ornament of contemporary buildings, shrines, and tombs, this article suggests recumbent mortuary monuments referenced a far broader range of contemporary portable artefacts and architectures. The approach takes attention away from identifying any single source of origin for hogbacks. Instead, considering multi-scalar and multi-media references within the form and ornament of different carved stones provides the basis for revisiting their inherent variability and their commemorative efficacy by creating the sense of an inhabited mortuary space in which the dead are in dialogue with the living. By alluding to an entangled material world spanning Norse and Insular, ecclesiastical and secular spheres, hogbacks were versatile technologies of mortuary remembrance in the Viking Age.

This article examines the character and role of exchange in Bronze Age Britain. It critiques anachronistic models of competitive individualism, arguing instead that the circulation of both artefacts and the remains of the dead constructed the self in terms of enduring interpersonal ties. It is suggested that the conceptual divide between people and things that typifies post-Enlightenment rationalism has resulted in an understanding of Bronze Age exchange that implicitly characterizes objects as commodities. This article re-evaluates the relationship between people and things in Bronze Age Britain. It explores the role of objects as active social agents; the exchange of artefacts and of human remains facilitated the production of the self and the reproduction of society through cyclical processes of fragmentation, dispersal and reincorporation. As such, Bronze Age concepts of personhood were relational, not individual.