This article focuses on three Byzantine capitals acquired by Edwin Freshfield and later donated to the church of the Wisdom of God in Lower Kingswood, which provide us with two ways to see through Byzantium. The first looks at their original Constantinopolitan context lost at the time of their acquisition. The second reflects on how Byzantine materials attracted wealthy Western European collectors, who combined antiquarian curiosity with the quest for the authentic Christian faith. Their privileged status allowed them both to possess these witnesses of the sacred past and even to project their own image to posterity as being analogous to that of Byzantine patrons.
