This chapter examines Donal Ryan’s From A Low and Quiet Sea (2018), Melatu Uche Okorie’s This Hostel Life (2018), and Correspondences (2019). These three publications offer insight into the directions being taken by contemporary Irish literature to address the absence of Black and minority ethnic peoples from Irish literature. Despite an ongoing boom in Irish publishing that has seen the global success of many authors, Irish literature continues to demonstrate a preoccupation with notions of Irishness rooted in the Irish literary Revival of the turn of the twentieth century. This essay questions the continuing whiteness of Irish literature through an examination of two recent exceptions in Irish publishing, which, in their inclusion of people of color, challenge comfortable notions of what Irish literature comprises. These texts force readers to confront issues of silencing and traumatic cultural absence for people of color in Ireland, raising important questions about a contemporary Ireland that is often congratulated for its liberal-mindedness.

In this chapter Sharae Deckard reminds us that far from being a “green” country, Ireland’s carbon emissions are currently among the highest per capita in the EU and continue to rise, so that the Irish state falls far short of the reductions required by the Paris Agreement.” The chapter traces the history of Ireland’s energy regimes that range from turf, coal, oil, and more recently, renewables. In a comprehensive survey of the energy regimes and their representation in Irish literature Deckard argues that literary and cultural representations play a crucially subversive role in the contemporary neoliberal environment by offering “alternative conceptions of value that repudiate capitalism’s devaluing of human and extra-human life.”