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Chapter 4 charts the Indian government’s ambition to make planning ‘democratic’ by convincing its citizenry of the need for planning and securing their participation. The government sought to spur grassroots enthusiasm by planting it—a campaign that was self-undermining by its very nature. It examines why public participation in planning mattered to the Indian government and uncovers the many channels through which the state sought to spread the gospel of planning. The means employed by government to instil “Plan-consciousness” included publicity teams on bullock carts and boats, a Khushwant Singh-edited Plan magazine named Yojana, plays by leading Hindi playwrights like Ramesh Mehta, musical and drama troupes, and state propaganda films screened for mass audiences through the Films Division. The chapter concludes with a discussion of how this Plan-consciousness even seeped into commercial Hindi cinema, or Bollywood.
If democratic planning was to become a mass movement, as the government hoped, it would require the voluntary participation of Indian citizens. Chapter 5 examines how, in the absence of spontaneous participation, the state supported voluntary organizations to spread the message of the Five Year Plans and offer services toward their fulfilment. It analyses the paradox of the state intervening to stimulate voluntary support for its policies. The chapter traces efforts to involve youths through College and University Planning Forums, and other social groups through the Bharat Sewak Samaj (Service to India Society). It also analyses a curious experiment—the enigmatic Bharat Sadhu Samaj (Indian Society of Ascetics). A brainchild of Gulzarilal Nanda, the devout Minister for Planning, its goal was to publicize the Plans using Hinduism as a resource. The attempt reveals how the Nehruvian state propagated Five Year Plans—the very symbol of secular technocracy and scientific modernity—using saffron-robed Hindu monks and ascetics. The startling long-term fallout of this project was the Sadhu Samaj’s drift towards Hindu nationalism. Ultimately, this religious venture underlines the awkward relationship and largely failed wedding of technocratic and democratic dimensions of planning.
The Indian planning project was one of the postcolonial world's most ambitious experiments. Planning Democracy explores how India fused Soviet-inspired economic management and Western-style liberal democracy at a time when they were widely considered fundamentally contradictory. After nearly two centuries of colonial rule, planning was meant to be independent India's route to prosperity. In this engaging and innovative account, Nikhil Menon traces how planning built India's knowledge infrastructure and data capacities, while also shaping the nature of its democracy. He analyses the challenges inherent in harmonizing technocratic methods with democratic mandates and shows how planning was the language through which the government's aspirations for democratic state-building were expressed. Situating India within international debates about economic policy and Cold War ideology, Menon reveals how India walked a tightrope between capitalism and communism which heightened the drama of its development on the global stage.
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