The concluding chapter contextualizes the study of ancient Doric architecture against the backdrop of European colonialism and modern globalization. The evolutionary explanation of the Doric temple can be seen as part of a broader tendency in the West of naturalizing and normalizing Greek/Western culture as world culture by tracing it back to universal principles. The critique of the evolutionary narrative makes it possible to appreciate the disruptive and innovative character of the Doric order as part of a historical shift in the wielding of religious and political power and in the relation between Greek communities and the landscapes they inhabited. Population growth, social change, and political innovation led to urbanization, colonization, and land reclamation on an unprecedented scale. These processes challenged the traditional religious system, which was based on an intrinsic relation between the divinities and the natural features of the landscape. The Doric temple can be seen as a response to this situation: by redefining the sacred space, “inhabited” by the gods, it also redefined what was outside the sacred precinct, the “profane” land that was subject to new forms of exploitation, land distribution, and colonization.

In the past, architectural change in Archaic Greece was often explained as a somehow natural, coherent evolution from “primitive” wooden structures to sophisticated stone temples. Following the ancient writer Vitruvius, modern authors have attempted to demonstrate that the architectural orders, in particular the Doric, can be traced back to functional necessities typical of wooden buildings. While this explanation of the Doric order has long been questioned, few attempts have been made to explore alternative explanations. The chapter lays out a methodology to analyze architectural change by asking how the experience of sacred spaces and landscapes changed and who were the social groups interested in promoting such change. The chapter highlights the kinetic and multisensorial dimension of the experience of space and architecture, as stressed also by authors from other fields. Further, a survey of recent contributions to the study of the Doric and Ionic orders suggests that they emerged suddenly in the early sixth century BC, rather than evolving slowly over centuries. The emergence of the Doric order went hand in hand with the emergence of architectural sculpture on pediments and friezes. By looking at a series of case studies the book aims to shed light on the relation between the various transformation processes.