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2 results

Hensel: String Quartet in E flat
  • Benedict Taylor
  • Published online:
    07 December 2023
    Print publication:
    30 November 2023
  • The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics – or condemnation of those who hindered their development – to examine the strength and qualities of the music and how it responded to the most progressive works of the period.

  • 1 - Introduction

  • Benedict Taylor, University of Edinburgh
  • Book:
    Hensel: String Quartet in E flat
    Published online:
    07 December 2023
    Print publication:
    30 November 2023, pp 1-8

  • Summary

    The brief introduction situates Hensel’s String Quartet within the course of her compositional development, showing its significance here and its implications for understanding her modern reception. The string quartet genre held an enormous prestige in Hensel’s time, and the creation of this composition was implicitly a gesture showcasing her worth outside the ‘feminine’ sphere of solo lied and piano miniature. I also explain the position of this book within current, developing positions in the discussion of the music of female composers. This issue is especially pointed in this instance given the intimate relation and two-way interaction between the music of Fanny Hensel and her younger brother, Felix Mendelssohn. Hensel’s quartet makes an intriguing case study: its absence of significant reception history forces us to concentrate more on the actual music rather than what has been said about it.