We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter demonstrates forms of belonging to place in Irish-language poetry and prose.Louis De Paor utilizes Mike Cronin’s term “denizen” to understand alternative forms of belonging in place and notes the military advantages for Irish nationalist fighters traversing the Irish landscape that arose from being able to access local folklore. The essay suggests that “The extent to which intimate knowledge of the local terrain facilitated the kind of guerrilla warfare prosecuted so successfully by Ó hAnnracháin and his comrades (of the Gaelic League) is evident in a significant body of writing in Irish by veterans of the Irish revolution.” This essay spans a wealth of Irish-language writers – from Máirtín Ó Cadhain and Máirtín Ó Direáin (1910–88), to Cathal Ó Searcaigh (1955–), Colm Breathnach (1961–), and many others. De Paor suggests that the aim of reclaiming “a more secure sense of belonging, of being at home in a place where landscape, language, history and community are fully integrated” is the defining characteristic of Irish-language revival.
This chapter describes the influence of the Gaelic Revival on the creation of a Protestant nationalist counterculture during the first decade of the twentieth century. It discusses the manner in which cultural activism, by means of literature, the theatre, and learning the Irish language, tended to radicalise Protestants, and led them to convert to nationalism. It charts the development of a largely Dublin-based network of Protestant activists, whose development towards nationalism was largely actuated by means of immersion in the Abbey Theatre, the Gaelic League and various literary societies. Irish nationalist opposition to the Second Boer War, which radicalised some Protestant Gaelic Leaguers, is discussed. This chapter describes the attitude of two prominent Catholic newspaper editors, Arthur Griffith and D. P. Moran, towards Protestant nationalists, with Griffith seeking to incorporate Protestants into the nationalist movement, and Moran seeking their exclusion. The final section analyses Protestant Gaelic Leaguers’ attempts to form their own associational culture, which led to tensions within the movement. Ultimately, this chapter shows how Protestant involvement in the Gaelic League sometimes led to conversion to nationalism, but could cause unease among other Protestants, who sought an apolitical organisation.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.