This article discusses a neglected aspect of Greek ecclesiastical material culture: the wide use of Ottoman textiles after the conquest of Constantinople. My discussion will touch upon Greek archival sources before analysing three different types of textiles: aniconic silks and velvets; Ottoman figural production for the Christian market; and embroidery of the Byzantine tradition featuring Ottoman motifs. These categories represent three different points of contact between Ottoman aesthetic and Greek ecclesiastical material culture. If the use of aniconic textiles expresses the employment of court aesthetic, then the figural silks represent the weaving industry's response to a Christian demand for such products. Finally, the Byzantine-tradition embroideries discussed constitute evidence of artistic confluence.
