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On 2 December, Sigmund Romberg and Dorothy Donnelly’s The Student Prince in Heidelberg (or The Student Prince), a romance-filled operetta that does not have a happy ending, opened on Broadway, later becoming the longest-running musical of any sort to open on Broadway in the 1920s. Set in nineteenth-century Heidelberg, its tale of a prince who must leave behind his young love, a waitress at the inn he frequents, is set to an expansive musical score that features waltzes, marches, a buoyant drinking song and more. Other musicals that followed later in the month included Betty Lee, set in Southern California with a plot concerning a footrace in which a phonograph is the prize. Revues also appeared as the year drew to a close, further emphasizing the ubiquity of the genre.
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