We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Chapter 1 introduces the notion of “living historiography,” a corollary to “living institutional history,” to describe the dynamic interaction between the writing of official state historiography in the Song dynasty and ongoing political developments. An examination of the theoretical operation of state historiography against the composition of the surviving sources reveals that conflicts between Confucian literati and the monarchy, and between factions within the bureaucracy, often thwarted and shaped the routine (and supposedly neutral) processing of official documents into official history. At the same time, a subgenre of exemplary historiography intended for imperial reading and reference selected preferred “precedents” (gushi) from his material as guides for future political action. Over time, these compilations grew into an exemplary history of the dynasty. This chapter, and the ensuing Chapter 8, generate an analytical framework that explains how this process led to the present, received narrative of Song history. Notions of metanarrative and allegorical interpretation, akin to ideas from postmodern deconstruction, help to examine the rhetorical and literary manipulation of these sources.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.