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Chapter 3 considers the underlying narrative structures of Corippus’ epic and how the poet positions the campaigns of John Troglita in their wider context. The Iohannis surveys the events of circa 530–46 in a series of analeptic ‘flashbacks’. As a succinct verse history of North Africa between the late 520s and 546, these surveys differ wildly from contemporary imperial propaganda. This chapter argues that these accounts must be considered as meaningful responses to the recent past within Byzantine Africa and as functional parts of the Iohannis. It is argued that Corippus’ presentation of these counter-narratives created a space for the interrogation of a complex past which would otherwise have been unavailable to him.
The second part of the chapter looks at the prolepses in the Iohannis, where Corippus’ narrative moves from the narrated time of John’s campaigns to their anticipated resolution and the composition of the epic itself. This teleology is not only explored through many direct references to the coming Roman triumph, but also to the counterfactual ‘futures’ anticipated by the Moors. Corippus’ resolution of these accounts through authorial interjections help to underscore the inevitability of imperial victory while emphasizing the sense of crisis within the historical narrative.
Chapter 1 introduces the Iohannis and sets the book in its intellectual context. It discusses the particular difficulties associated with the epic and the different approaches scholars have adopted to it. It argues that the poem cannot be read as an extended panegyric and suggests that the poet was motivated to address the perceived shortcomings of imperial rule, rather than simply to celebrate recent military victories. The chapter provides a survey of the chapters to follow and closes with a detailed summary of the narrative of the Iohannis itself.
In around 550 the Latin poet Corippus composed his epic Iohannis to celebrate the forgotten wars of a Byzantine general against the 'Moorish' or 'Berber' peoples of North Africa. This book explores the rich narrative of that poem and the changing political, social and cultural environment within which he worked. It reappraises the dramatic first decades of Byzantine North Africa (533-550) and discusses the ethnography of Moorish Africa, the diplomatic and military history of the imperial administration, and the religious transformations (both Christian and 'pagan') of this period. By considering the Iohannis as a political text, it sheds new light on the continued importance of poetry and literature on the southern fringes of imperial power, and presents a model for reading epic as a historical source. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
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