Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

2 results

  • Chapter 6 - Deep Image Poetry

  • from Part I - American Poetry from 1945 to 1970
  • Andrew Epstein, Florida State University
  • Book:
    The Cambridge Introduction to American Poetry since 1945
    Published online:
    01 December 2022
    Print publication:
    15 December 2022, pp 113-118

  • Summary

    This chapter focuses on the movement known as Deep Image poetry and traces the origins of this tendency and explores its key characteristics. The chapter discusses Deep Image poetry’s debts to Spanish and Latin American surrealism and other sources and focuses on the work of Robert Bly and, especially, James Wright, in order to sketch out the major features of Deep Image poetics, including its use of images drawn from the unconscious and moments of sudden epiphany.

  • Chapter 43 - Asian American Poetry

  • from Part IV - Beyond Modernism: American Poetry, 1950–2000
  • Edited by Alfred Bendixen, Princeton University, New Jersey, Stephen Burt, Harvard University, Massachusetts
  • Book:
    The Cambridge History of American Poetry
    Published online:
    05 December 2014
    Print publication:
    27 October 2014, pp 978-1002

  • Summary

    Adrienne Rich, James Wright, Robert Duncan and Denise Levertov all did some of their best and most influential work in the 1960s and in response to the changes that vexed decade brought. These four poets offer a range of versions of authenticity and at the same time show the variety of possibilities open to poets about the uses of authenticity. In the 1950s Rich wrote two books of well-received poetry. Her first book, A Change of World, published while she was still an undergraduate at Radcliffe, was chosen by W. H. Auden for the Yale Younger Poets Award. Like Wright, Olson thrived on assertions of the imagination's freedom from every critical absolute, including the insistence on total liberation from the past. In 1950 Duncan published Medieval Scenes. Duncan and Levertov's letters record a long series of acts of mutual encouragement: two poets on opposite coasts, almost never meeting, engaged in an intense, affectionate, wide-ranging conversation.