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This chapter locates the origin of the online essay in the era of the pre-commercial Internet, when communication occurred largely over message boards, forums, and listservs. The author then charts the history of the essay, and essays by women in particular, across a variety of platforms and publications, including personal blogs, the Huffington Post, Jezebel, and BuzzFeed, before concluding with an argument for the emancipatory political potential of the personal essay.
Chapter 2 presents a detailed study of the first major leg in the Elijah cycle in relation to its immediate context, 1 Kings 12–16. It begins by observing that Elijah functions as a theological icon rather than as a complete psyche on par with the protagonists of modern histories and novels. An agrarian hermeneutic applied to this same material illumines the text’s holistic interest in physiological healing (1 Kings 17), agroecological renewal (1 Kings 18), and social health (1 Kings 19). As a result, Elijah the Tishbite emerges as the prototypical ancestor of Yhwh’s preserved remnant, a prophetic community that the implied reader, too, is encouraged to join. In contrast to the political and theological disaster that the larger book of Kings narrates, 1 Kings 17–19 suggests that Yhwh raises the dead in multiple dimensions.
Chapter 3 examines three progressively related chapters whose main character is Ahab, not Elijah, and thus whose connection with the Elijah narratives (or lack thereof) has attracted much scholarly discussion. It demonstrates that an agrarian hermeneutic generates new insight on the unit’s rhetorical coherence alongside 1 Kings 17–19. In contrast to Elijah’s theological submission to and physiological dependence on Yhwh, 1 Kings 20–22 dramatizes Ahab’s corresponding theological autonomy from Yhwh, leading to the material loss of life and land. Ahab’s story – interwoven with Elijah’s (see 1 Kings 21) but also remaining separate from it (1 Kings 20 and 22) – therefore pre-enacts the Exile in which the book of Kings resolves.
Empire-critical and postcolonial readings of Revelation are now commonplace, but scholars have not yet put these views into conversation with Jewish trauma and cultural survival strategies. In this book, Sarah Emanuel positions Revelation within its ancient Jewish context. Proposing a new reading of Revelation, she demonstrates how the text's author, a first century CE Jewish Christ-follower, used humor as a means of resisting Roman power. Emanuel uses multiple critical lenses, including humor, trauma, and postcolonial theory, together with historical-critical methods. These approaches enable a deeper understanding of the Jewishness of the early Christ-centered movement, and how Jews in antiquity related to their cultural and religious identity. Emanuel's volume offers new insights and fills a gap in contemporary scholarship on Revelation and biblical scholarship more broadly.
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