This chapter argues the writings published by Blacks in the early national US must be understood in relation to the history of slavery in the British Empire. The author examines diverse forms of African American literature, which were focused on transatlantic concerns, such as “Orations on the Abolition of the Slave Trade” (1808–1823), given annually on January 1. These texts tell powerful stories of the history of the slave trade, and particularly its violence to familial ties, from the trade’s inception in the fifteenth century until its abolition in 1808. Written by free Black churchmen and intellectuals in New York and Philadelphia, including Absalom Jones, Peter Williams, Jr., Russell Parrot, and William Hamilton, these orations demonstrate a deep interest in the actions of the British Parliament and the state of slavery in the West Indies. This chapter also considers direct allusions to British and Afro-British abolitionists and their writings, from Clarkson and Wilberforce to Equiano, in the work of William Miller, Russell Parrot, William Whipper, David Walker, Maria Stewart, and others. The chapter concludes with a discussion of The History of Mary Prince (1831), the most important slave narrative to emerge from the British colonies and questions the inclusion of Prince’s narrative in a history of African American literature.

This essay examines the Caribbean as a conflicting node of representation in essays, editorials, stories, and poems in three newspapers owned by Fredrick Douglass and one part-owned by Jamaican John Russwurm that were published in the USA between 1827 and 1874. The shifting and contradictory nature of this representation, ranging from the emancipated Caribbean’s role as a beacon in a ‘discourse of humanity’, to endorsement of US annexation plans as empire solidified, are a direct function of the constriction or widening of African American material space during the period. The condition of being enslaved yielded a different Caribbean-ward affect from the condition of being freedpeople, and the condition of being freedpeople yielded yet a different affect as the dream of black citizenhood emerged in the US post-emancipation era. The trajectory was one of alienation which resonates in African American-Caribbean literary relations today. Reflections are invited on the rise of national imaginaries and literatures across the African diaspora.