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2 results

  • Chapter 5 - Source, Original, and Authenticity between Philology and Theology

  • Edited by Catherine Conybeare, Bryn Mawr College, Pennsylvania, Simon Goldhill, University of Cambridge
  • Book:
    Classical Philology and Theology
    Published online:
    03 September 2020
    Print publication:
    17 September 2020, pp 86-109

  • Summary

    This chapter exposes the fundamental interpenetration of critical ideas and practices in the editing of texts of both classical and scriptural writings, one of the defining practices of philology, and shows a shared commitment to the return ad fontes. It focuses on one of the giants of philology, Karl Lachmann, and maps the ease with which the founding scholars of the modern discipline of classical philology moved between Greco-Roman texts and the bible. The chapter emphasizes the historical importance of that vast monument of Greek literature generally ignored in the modern discipline of classics, the Septuagint. It goes on to address the issue of authenticity, a key component not just of philology’s pursuit of the faked or corrupt, but also of theology’s commitment to the true word of God, and to show how the search for a source matches the idea of the godlike author.

  • 11 - THE NEW TESTAMENT TEXT

  • from IV - THE NEW TESTAMENT
  • Edited by P. R. Ackroyd, C. F. Evans
  • Book:
    The Cambridge History of the Bible
    Published online:
    28 March 2008
    Print publication:
    01 April 1970, pp 308-377

  • Summary

    In the field of New Testament textual criticism, a great change of approach and method has taken place in the course of the present century. The method owed much to the work of the great nineteenth century philologist Karl Lachmann, who worked in the fields of the manuscript tradition of Latin classical texts, the New Testament and medieval German poetry. One of the greatest exponents of the study of documents a generation after Westcott and Hort was Kirsopp Lake. He wrote some words which express the ideal for the textual critic working on this aspect of the field. The majority of manuscripts of the Greek New Testament are of Byzantine production, and most of these post-date the Iconoclastic controversy and the invention of minuscule. The Byzantine text has many readings which appear conflate, and many evident rationalisations of cruces.