In this essay, I explore the text and contexts of Richard Strauss’s “Schlechtes Wetter,” Op. 69 No. 5 (1918), in order to illustrate the nature of song as interpretation. First, from the musicological side (and with brief reference to two classic theoretical accounts of the methodology of Lied analysis by Kofi Agawu and Lawrence Zbikowski), I consider Heinrich Heine’s poem and Strauss’s setting of it as meta-texts that reflect on the artists’ creative processes, observing in particular how Strauss’s song can also be heard to reveal the creative and interpretative essence of the traditional manner of identifying text-music relationships in the Lied. Turning then toward the work and perspectives of performers, I explore Strauss’s song as it was interpreted by soprano Elisabeth Schumann and the composer at the piano on their 1921 tour of the United States, along with some brief concluding reflections on my own performance of the song as pianist with soprano Sari Gruber in recitals given over the past decade. These performances radically alter our understanding of what the song is about and who we are to understand its vocal persona to be, illustrating the vital role of performance in determining what a song is and means.