AMS radiocarbon dating has been widely applied in Palaeolithic art research and its value has been proven over the past three decades. Yet it still suffers from issues that need to be discussed and analysed to improve future sampling strategies and strengthen the interpretation of the results. This study presents new AMS dates for the parietal art in Cueva de Las Chimeneas in northern Spain, describes the quality of the samples, and discusses their reliability. The joint assessment of the dates and its comparison with previously obtained dates as well as stratified and dated portable art makes it possible to put forward a hypothesis about the time of creation of the cave's parietal art and the degree of synchrony or diachrony in its production. Consequently, it is proposed that the cave art at Las Chimeneas was created in the lower Magdalenian, between 19,000 and 17,500 cal bp.

Landscape archaeologies that pay attention to cultural importance of place have become increasingly common in recent years in many parts of the world. However, these approaches have largely failed to make inroads into Pleistocene European hunter–gatherer archaeology. This is partly due to a focus on economics, survival, and neo-liberal assumptions of ‘efficiency’ in early modern human behaviour. With evidence of lithic use drawn from cave sites, survey, and open-air excavation, I argue that Upper Paleolithic hunter–gatherers left clues to the importance of certain places in the landscape. Lithic tools in particular have been undervalued for their symbolic meaning, which goes well beyond style and ethnicity models. Raw material has been seen as evidence of mobility and trade, but possible cultural motives behind material choices have been downplayed or ignored.