A cornerstone text of England’s Reformation, John Foxe’s Acts and Monuments is deeply concerned with constructs of cultural memory and the use of that memory to steel the resolve of English Protestants to continue the hard work of reforming the church. First published in 1563 and borrowing from hagiographical traditions, Acts and Monuments attempts to legitimize the English Reformation by placing it in the continuum of early Christian persecutions and martyrdoms, and by further vilifying Catholics at the beginning of Elizabeth’s reign following the Marian counter-Reformation. This chapter situates Foxe’s work in the context of cultural memorialization and traumatic historiography – that is, the construction and reiteration of cultural trauma through historic documentation/commemoration.

Chapter 5 explores Pseudo-Hegesippus’ brief yet striking engagement with the ancient Judeo-Christian discourse of martyrdom. It assesses the biblical figures cited in a speech made by the Jewish leader Matthias in De Excidio 5.22, and compares this to the story of the martyr deaths of the Christian apostles Peter and Paul in De Excidio 3.2, to show how De Excidio delegitimates the notion of Jewish martyrdom, implicitly leaving Christians as the only legitimate martyrs of the first century CE.

Although there is no concrete surviving evidence that the Acts of Paul or the Passio sanctae Theclae circulated in Ireland, there are a number of references to Thecla in medieval Irish martyrologies and devotional literature. These sparse references to the proto-martyr are too few to reconstruct the true extent of her cult in medieval Ireland or to assess her possible impact on Insular hagiography. However, one curious uniting feature shared by these fragmentary references to Thecla is that they are all in versified form. Thecla is also venerated in litany-like verse prayers in both Old and Middle Irish where she is included in groupings of significant apostolic figures. Late antique and early medieval continental Latin sources in which Thecla is referred to in a similar context may provide the likely roots of transmission. These possible Latin sources, however, are not all in verse form. Therefore, the choice of a poetic medium coupled with the use of the vernacular may provide precious evidence for the intended audience and reception milieu of such popular hagiographical texts.

McCarthy builds on a trend in the theology of scripture according to which the truth of the text is discovered in the ‘performance’ of the text in the lives of individuals and communities. On this basis, he offers a series of cameos in which the ‘exegesis’ of a gospel text takes biographical form, and the lives of saints and martyrs become a kind of extension of the scriptural canon.